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The Penguin Archive Project, funded by a major grant from the AHRC [7], produced an online catalogue of the Penguin Collection at the University of Bristol Library (launched in 2011). Penguin Books transformed the range and greatly extended the availability of books to a general readership in the twentieth century. The Penguin Archive located at the University of Bristol can therefore be conceived of as a record of the democratisation of reading in the UK in the twentieth century. As a result of the Penguin Archive Project impact has been realised in three main areas: improving access to the Penguin Archive and making it easier to use for a variety of non-academic users; raising awareness and understanding of the significance of the archive and the rich cultural heritage of Penguin books through public engagement and media activities including a major international conference in 2010; developing collaborative links with Penguin and contributing to their publishing practice. As a result, researchers, editors, authors, publishers and other users such as the Penguin Collectors Society now have access to this major resource.
This case study focuses on the impact of research carried out at the University of Cambridge into the history of evolution by Professor James Secord and co-workers, notably the impact of two research programmes: the Darwin Correspondence Project and Darwin Online. These projects have contributed to a substantial reorientation of public discourse on the history of evolution. The impact has been achieved through web resources; museum and library exhibitions; teaching materials for schools and universities; and radio and television programmes. These outputs have encouraged public understanding of the range of contributors to science, including women; an awareness of the diversity of positions in the evolutionary debate; and an appreciation of the complex relations between evolutionary science and faith. The projects have shown that the highest achievements of scholarship can be made freely accessible to a global audience.
The medieval seals projects have enabled substantial non-academic audiences to engage more effectively with and appreciate more fully the cultural heritage of Britain. There is now a deeper understanding among schoolchildren and adult interest groups (e.g. local history societies) of the importance of seals in medieval culture and their role in establishing identities. The projects have also alerted heritage professionals to the significance of seals as a heritage asset, and developed their skills in preserving and presenting this undervalued resource. In attracting visitors to Wales and the Marches through exhibitions and outreach events the projects have delivered an economic return.
The Wars of the Roses and Richard III remain engrossing and controversial after 500 years throughout the Anglophone world and beyond. Hicks and Holford have made a significant impact on public knowledge and understanding of the period's politics and society. Their publications, printed and online, are valuable resources for professional and amateur historians, students and the general public, nationally and internationally. Hicks' Anne Neville underpinned Philippa Gregory's novel, The Kingmaker's Daughter and hence the BBC series The White Queen. The website, blog and twitter, Mapping the Medieval Countryside, are making the inquisitions post mortem (IPMs) much more widely accessible and useful than hitherto.
The project's initial output was a book and website for the Institute of Historical Research's series `England's Past for Everyone'. The UWE project, alone among the 14 comparable Heritage Lottery Funded projects, focused on ethnicity, pioneering new approaches to researching urban history, providing material accessible to museums, community and minority groups, schools and artists, and helping Bristol's reorientation towards greater ethnic inclusivity. The research informed Bristol's M-Shed Museum, a £24 million HLF/City Council project; inspired community and media projects; informed public history debates in the UK and USA; and encouraged new approaches by historians and community groups (e.g. special edition of Midland History, 2011).
Research by University of Exeter academics has increased the public's participation in, and appreciation of, the history and pre-history of cinema. Much of this has been achieved by collaborative projects with the Bill Douglas Cinema Museum, a free-entry museum located on the Exeter campus, which has a large collection (65,000 items) of international stature. A number of funded digitisation projects to improve accessibility have presented as well as preserved cultural heritage. The main impacts of this research have been to:
This case demonstrates the impact of collaborative research undertaken at the University of Leeds with regard to the role of intellectual property (IP) in the technosciences. It has shed new light on historical resources and helped to deepen public understanding of IP. In the Thackray Medical Museum and Oxford Museum of the History of Science, curators, educators and exhibition designers have benefited from Gooday's work on the history of patenting in electrical technology, enabling more effective interpretation of their collections. At the National Institute for Agricultural Botany, research undertaken within Radick's `expanded IP' framework is being used to strengthen the Institute's position and importance.
Research produced within the Leeds Centre for Victorian Studies (LCVS) has led to, through numerous public engagement activities, an impact on public understanding and appreciation of the Victorian era. The research on which this is founded relates to two members of the UOA, who particularly focus on Victorian identities, history and historical cultures in Britain and the British Empire. They have each engaged the public through public lectures at local museums and history groups, publishing their work in an accessible format and media appearances. Links have also been established with local museums that particularly focus on this period of history, enabling museum staff to promote their collections.
Lancaster's History department has built on its tradition of service and consultancy to transform public resources for, and engagement with, the history of northern England (Lancashire, Cumbria, Northumberland, and the Borders). This has been achieved through: i) creating open-access databases of historical sources with tailored support for non-academic users; ii) training non-academics in historical research and engaging them in projects, thereby empowering people in the region and beyond to `do history', particularly through the Victoria County History, Cumbria: a community-based project fostering life-long learning, led by the department and funded through partnership with a charitable trust; iii) contributing to the development of a new archive centre in Carlisle, thus enhancing the region's archival infrastructure.
This case study relates to cultural life and education. Kenneth Fincham is an internationally renowned scholar in the field of British Early Modern History, and the impact arose from a major research programme funded by the AHRC to create:
The database is an online resource launched in 2005 and available free to all users. It provides a relational database and supporting website containing key information on clergy, schoolteachers and ecclesiastical patrons which has brought together for the first time a comprehensive range of sources. From the start CCEd was designed to serve constituencies outside as well as within academia, and it has proved an invaluable resource for genealogists across the globe seeking information on clerical ancestors, local historians researching parish histories, independent researchers interested in the clergy, and hard-pressed archivists responsible for managing and interpreting major diocesan collections. It has received in excess of 9.9m hits since 2010 and highly positive feedback from its many different types of user.