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The impact of Professor Nigel McLoughlin's work has two main, interrelated facets. The first is the public dissemination of his poetry through a variety of media, including mass media. His work takes the Irish troubles as a main context, and addresses themes of violence, invasion, identity, belonging, and tradition. He has published widely and has been invited to perform his work to public audiences at numerous literary festivals. The second is his academic research into pedagogy and poetics. Here his academic work examines the creative process and principles of making poems and his research reflects how one can explore and teach the various textual, musical, rhythmic, formal and thematic considerations of poetry. His own poetry bears out this reflective relation to expressivity through its perpetual experiments with formal and musical considerations, imagery and the relationship of the poetic whole to multi-sensory images and embodied thought.
Bradford's exploration of the lives of modern British writers demonstrates how research can cross over into audiences beyond specialist academic markets. The impact of his research lies in:
Members of the University of Exeter's Programme for Creative Writing and Arts have translated their research-as-practice into regional, national, and international impact by introducing innovative forms of contemporary writing to a range of audiences through publications, several of which have had notable public acclaim; an events programme; and training workshops. Funded projects to develop new writing have strengthened relationships between academic and creative sectors and inspired new and successful writing careers. The main impacts of this research-as-practice have been to:
Tessa Hadley's, novels and stories have reached a public audience, been listed for prizes, and led to prominent literary journalism, public debate, and appointments to prize-awarding panels. Hadley's work is an example of the cultural and economic impact of the Creative Writing research community at BSU, which includes novelists, poets, dramatists and non-fiction writers, who have reached public audiences, contributed to public literary culture through journalism, broadcasting and award-judging, and contributed to the economic viability of publishing and related industries. Hadley exemplifies the strategy of using the research base to enhance the quality of published creative writing and literary debate.
Dr Paul McDonald is an award-winning writer whose comic novels, short stories, and poetry have established him as a leading figure in the literature of the Black Country. His creative output is informed by scholarly research into humour and humour-writing that has national and international reach, and has contributed to the public knowledge of the history and cultural significance of humour. Specifically, he has:
The activities of Nottingham Trent's Centre for Travel Writing Studies influence learned societies' projects, museum exhibitions and universities' study of travel writing and culture. Our public engagements principally take the form of museum events, library talks and presentations, and media appearances.
Our pioneering research centre creates new understandings of travel writing, within and beyond academia, and produces a fresh appreciation of the centrality of travel to British history and culture. In partnership with institutions such as Coventry Transport Museum, the National Maritime Museum, the Joseph Banks Trust, the Hakluyt Society, and Nottingham's Bromley House Library, we organise exhibitions, arrange public events, and, through the publication of important historical travel accounts preserve, conserve and present cultural heritage.
Our collaborations impact on how museums and libraries view and present their collections and on societies' publications. Our research influences university syllabi. We provide specialist knowledge to media researchers, and other inquirers. Through broadcast interviews, podcasts, magazine and newspaper articles, introductions, textbooks, companions and encyclopaedias our work affects audiences' understanding of the written representation of travel.
Rebecca Stott's research into evolutionary theory (2001-7) has informed public knowledge of the history and philosophy of science. Both her fiction and her creative non-fiction make comparatively unfamiliar aspects of early evolutionary theory accessible to the general reader, and have thus enhanced understanding of science as well as scientists' understanding of culture. Stott founded a tradition of exploring science-literature intersections within our department which has been carried forward by our creative writers Katy Price and Laura Dietz.
Paul Farley's book Edgelands, co-authored with Michael Symmons Roberts, has changed attitudes to landscape in both cultural and utilitarian senses. Winner of the `Foyles Best Book of Ideas' Prize for 2012, Edgelands was extensively reviewed upon publication and its capacity for changing perceptions was widely remarked upon. Beyond its print and digital dissemination, it became a broadcast topic, both as an adaptation for BBC Radio 4's Book of the Week and also as a news feature on programmes such as BBC Radio 4's The Today Programme. As well as becoming a set text on many academic reading lists, Edgelands has influenced curatorial practice in the visual arts, opinion and policymaking bodies, practical approaches to engagement with landscape and also promoted widespread debate and active awareness at the grass roots level of weblogs and online journals. The book is part of a much wider body of research and writing on cognate subjects by Farley that includes award-winning collections of poetry and high-profile radio broadcasts. However, Edgelands is focused upon here as a concrete example of how a single publication can have a significant and wide-ranging impact.
The Military Writing Network (MWN) was founded in 2009 by Siobhan Campbell, Principal Lecturer in the Department of English Literature and Creative Writing, Kingston University London. Drawing on research by Professor Rachel Cusk, Dr. Meg Jensen and Professor Vesna Goldsworthy into the interface between testimony, trauma literature, autobiographical fiction and recovery from trauma and related disorders, the MWN created and sustains partnerships with organisations working with veteran soldiers, sailors and airmen and their families toward investigating how creative writing practice can help them cope with issues relating to combat stress, both inside and outside mental health environments.
Gunn is a writer of fiction, with works published by commercial literary presses and substantial sales to a general readership. The research constitutes an experiment with artistic form, reworking modernist techniques and themes, such as bricolage, the imitation of musical form and the feminist revaluation of domestic experiences and objects. The underlying research question is: how can the technical resources and cultural preoccupations of modernist literary experiment be deployed to engage and inform a 21st-century reading public?
Gunn's research is communicated to the public through book sales, interviews, readings, and articles in the broadcast and print media, and through the Dundee Literary Festival. These activities enhance public understanding of the creative process for the wider community, providing cultural enrichment and economic benefit at the level of the local, national and international.