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NIP Public is the Northern Institute of Philosophy's (NIP) programme to propagate the benefits of NIP's own collaborative research models to local non-academic communities, specifically schools, charities, and non-academic institutions. These benefits include enriching the cultural lives of users in the local community, encouraging users to challenge their own and others' views, and informing educators working in schools of northeast Scotland. The programme includes Café Philosophique, a series of public engagement events, a Philosophy with Children teacher-training course designed to show in practice how philosophical discussion can be incorporated in school settings, and collaborations with:
Buddhists and non-Buddhists across the world, educators, students and chaplains are among those who have benefited personally, academically and professionally from the imaginative dissemination of Bristol's pioneering research into Buddhist Death Rituals in Southeast Asia and China. Exhibitions, talks, printed and online learning materials, image archives and websites have all been brought into play. These multiple approaches to the sharing of new knowledge have led to beneficial impacts on a wide variety of individuals, from schoolchildren on the brink of adulthood to people receiving comfort on their deathbed.
This case study demonstrates the impact of research on Philosophical Dialogue and Rhetoric in the context of the marketisation of Higher Education. In this context, impact was (and is) created through the facilitation of Socratic dialogues, and the dissemination of reflections on the pedagogical nature of these dialogues against the increasing marketisation of Higher Education. This case study aims to show a change in awareness, attitude and understanding of individual participants, especially a (philosophical) revaluation of their own experience. It also aims to change the pedagogical attitudes and practices of participating teachers and lecturers.
The medieval seals projects have enabled substantial non-academic audiences to engage more effectively with and appreciate more fully the cultural heritage of Britain. There is now a deeper understanding among schoolchildren and adult interest groups (e.g. local history societies) of the importance of seals in medieval culture and their role in establishing identities. The projects have also alerted heritage professionals to the significance of seals as a heritage asset, and developed their skills in preserving and presenting this undervalued resource. In attracting visitors to Wales and the Marches through exhibitions and outreach events the projects have delivered an economic return.
This creative/critical collaboration sought to reclaim Spenser's The Faerie Queene for today's world, investigating how to remake this religious poem and national epic for diverse audiences and users, and exploring its potential to revivify religion and society, through artistic works and new liturgies. Impact beyond the academy was always at the conceptual heart of the project. Bringing together members of different faith groups, school communities, and cultural practitioners (musicians, puppeteers, poets), it engaged them in debate and sought to produce new cultural forms that would not only contribute to cultural life but affect civil society and public discourse. An unforeseen if powerful impact was a national debate and controversy over deployments of the figure of St George.
The Stonehenge Riverside Project was carried out between 2003 and 2010, to determine the purpose of Stonehenge by investigating both the monument and the surrounding landscape. The project's reach and importance have been considerable, from training and inspiring the next generation of professional archaeologists to stimulating people worldwide with new knowledge about Stonehenge, providing artistic inspiration and changing perceptions and beliefs about the use of the site, leading to significant economic, cultural and technological benefits.
This collaboration between the UoE and six local authorities developed social work interventions to improve engagement with `involuntary' services users. The impact of the research is seen in the sharing and implementation of knowledge about `what worked' within and across the participating local authorities and in gradually shifting practice cultures within these authorities. The impact is evident at several levels:
Dr Alexandros Paraskevas has demonstrated the benefits of implementing academic research and `scientific rigour' into global business practices. His conceptual approach to risk and crisis management has become highly acclaimed within the hospitality industry and has strengthened practices in a turbulent business environment. His research pioneered an effective partnership between the Oxford School of Hospitality Management and InterContinental Hotels Group (IHG), resulting in the Group developing new risk management practices, enhancing its effectiveness in managing risks, saving costs and gaining worldwide recognition as industry leader in the field. These practices are continuously shared with the broader H&T industry through appropriate fora and dissemination platforms.
New studies at the University of Warwick into the writing, production and reading of philosophical works in Renaissance Italy have reassessed the importance of works written in the vernacular language for the diffusion of classical philosophy (1400-1650). The research findings have improved the quality of catalogue entries for relevant holdings in libraries and a database, and have enhanced the knowledge of librarians working with these collections worldwide. The research has been communicated to professionals and the general public internationally, particularly in Italy, the US and the UK. The research has also been used to inform pedagogical activities for adult learners and secondary school students.
How can digital technology redefine choreographic practices? This is an important question in terms of: the impact of networked technologies in connecting individuals virtually; screen interfaces as mediated contexts for embodied communication; the impact of technology in mediating experiences of motion. Interest in these questions is manifest in both academic, practice-led research and professional arts contexts.
This case study identifies how interdisciplinary, collaborative choreography and technology research projects undertaken within the Centre for Applied Research in Dance have focussed on choreographic innovation in live, mediated networked environments and the development of software tools enabling new methods of choreography and documentation.