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The Gutzkow project, co-directed by Lauster and Vonhoff of the Department of Modern Languages (German), has transformed public access to the author's work through open-access, on-line publication. The project, which combines specialist scholarship with innovative editing, has considerably enhanced public appreciation of a widened canon of 19th-century German literature (impact 1). User testimonies, the international press, public acknowledgement and public involvement in events in the region reveal a significant renewal of public interest in Gutzkow. The editorial results of the Gutzkow project have been requested by an interdisciplinary linguistic digitization project in Berlin and will be fully integrated in this open access linguistic database (impact 2).
Northumbria University's research on the eighteenth-century novelist Laurence Sterne and on the literary significance of the Delaval family has had benefits for two arts and cultural organisations in the North East and Yorkshire. The research has secured new audiences and increased business activity and footfall for the Laurence Sterne Trust (LST), changed the emphasis of heritage interpretation at Seaton Delaval Hall (SDH) and expanded the range of activities offered by both organisations. We have developed long-term and sustainable relationships with both of our partners and are now co-designing collaborative projects with them.
Members of the University of Exeter's Programme for Creative Writing and Arts have translated their research-as-practice into regional, national, and international impact by introducing innovative forms of contemporary writing to a range of audiences through publications, several of which have had notable public acclaim; an events programme; and training workshops. Funded projects to develop new writing have strengthened relationships between academic and creative sectors and inspired new and successful writing careers. The main impacts of this research-as-practice have been to:
This case study details Professor Nicola Humble's pioneering research and its impact on popular engagement with cultural heritage. Humble's research has increased awareness of the study of cook books as literary texts, of the middlebrow fiction of the first half of the twentieth century and the cultural politics that surrounded it. Through a sustained programme of public engagement including popular publishing, journalism, public speaking, radio and television broadcasting, her work has presented new forms of cultural heritage inspiring new forms of literary engagement amongst wide public audiences. The significance of this impact is demonstrated by the long legacy of her work and the increased public awareness of the approaches she pioneered; its reach by the frequent references to her work in a variety of forums on topics as diverse as baking, reading, crafts, eating, book collecting, feminism and parenting.
Research into contemporary women's writing that took place in the School of Cultural Studies and Humanities at Leeds Metropolitan University between 2000 and 2013 has contributed to the continuing personal and professional development of beneficiaries amongst the public, as well as postgraduate students significantly beyond the submitting HEI. The majority of these beneficiaries have engaged directly with this research in two ways: via the website (the Contemporary Women's Writing Association website, or its sister organisation the Postgraduate Contemporary Women's Writing Network website) or via a public lecture or event.
This study addresses the impact of researchers in the Writing and Environment Research Centre who have pioneered the `environmental humanities', contributing to public debate in a field of acknowledged political and cultural importance. Neale's work has been used by trade unions in the UK and overseas. Garrard's book is used in HEIs in the UK and abroad. Evans reaches public audiences with his BBC radio work and Guardian column; Kerridge with literary nature writing. Kerridge and Garrard have influenced the teaching of ecocriticism in numerous universities. Collectively, the centre contributes to public awareness of the cultural aspects of environmental questions.
Dr Paul Chirico's research has directly shaped the work of the John Clare Trust. Dr Chirico has played a leading role in the work of the Trust, which he founded in 2004 with a view to the purchase of the poet's birthplace in Helpston, near Peterborough. Through the John Clare Cottage and the work of the Trust on which it depends, he has since 2008 achieved direct impact on the conservation, preservation and understanding of culture. He has had an impact on education through the materials he has developed for visitors to the Cottage, both school parties and the general public.
Research carried out at Northumbria has explored the relations between culture and medicine during the eighteenth century, resulting in an improved historical understanding of the way in which culture influences the experience and treatment of illness. The impact has been significant for members of the medical profession and more widely for health professionals, as well as making a positive impression on the general public. It has also influenced local work in theatre and arts as therapy. The research continues to have implications for our understanding of both popular and medical discourses regarding illness.
The Database of Mid-Victorian Illustration (DMVI, www.dmvi.cardiff.ac.uk) used research and technological innovation to bring illustrations of Victorian culture to multiple users. Before DMVI, illustrations accompanying nineteenth-century literary texts were largely forgotten, and there was no structured way of searching for them as images. Despite their cultural importance, illustrations are rarely reproduced in modern editions, and mass digitisation projects omit them or describe them inadequately for independent retrieval. DMVI's bespoke software tools harnessed literary research in a multifaceted mark-up system, to create a tagged 'image bank'. Its content and searchability have made it the resource of choice for designers, publishers, broadcasters, film-makers, and heritage organisations worldwide when presenting images of nineteenth-century life.
Bradford's exploration of the lives of modern British writers demonstrates how research can cross over into audiences beyond specialist academic markets. The impact of his research lies in: