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Architecture and the Moving Image: City, Culture and Identity

Summary of the impact

Interdisciplinary research by the Centre for Architecture and the Visual Arts (CAVA), based in the School of Architecture, is on the role of the moving image in the culture and identity of cities. By examining historic film, current trends and future developments in city branding and digital imaging, a new field of research has developed with three types of beneficiary: (1) institutions (museums and galleries); (2) municipal authorities (planning/urban development departments); (3) inhabitants of and visitors to cities. Liverpool's European Capital of Culture programme (2008) formed the basis of the research, which has spread nationally (London/Battersea) and internationally (China).

Submitting Institution

University of Liverpool

Unit of Assessment

Architecture, Built Environment and Planning

Summary Impact Type

Societal

Research Subject Area(s)

Studies In Human Society: Policy and Administration
Studies In Creative Arts and Writing: Film, Television and Digital Media
Language, Communication and Culture: Cultural Studies

Colonial film: moving images and the legacy of the British Empire

Summary of the impact

The Colonial Film project produced a major new website housing an online catalogue of all films showing life in British colonies held by three major film archives (the British Film Institute National Archive, the Imperial War Museum, and the British Empire and Commonwealth Museum) from 1895 to the separate moments of independence. The project conserved and made newly accessible — both practically and intellectually — a significant global cultural heritage in the service of memorialising the frequently occluded history of the British Empire. It is now a major national and international resource, and has been utilised by its partner archives and others to improve their own cataloguing and hold new exhibitions.

Submitting Institution

University College London

Unit of Assessment

English Language and Literature

Summary Impact Type

Cultural

Research Subject Area(s)

Studies In Creative Arts and Writing: Film, Television and Digital Media
Language, Communication and Culture: Cultural Studies
History and Archaeology: Historical Studies

Re-awakening Silent Film Music in Britain

Summary of the impact

Dr Julie Brown's research on the sounds of `silent film' exhibition in Britain has had an impact well beyond academia. Her collaborations with film festivals and major film venues plus public lectures have brought about an enhanced public awareness of a lost media art. Through a practitioner/academic network and via practice-based activities involving professional musicians she has had a direct impact on musical practice, and also brought significant performances to the general public in well-attended public events and film festivals at major cinema venues in both Edinburgh and London. Her work has led to enhanced public understanding of the history of the sonic dimension of `silent cinema' in Britain.

Submitting Institution

Royal Holloway, University of London

Unit of Assessment

Music, Drama, Dance and Performing Arts

Summary Impact Type

Cultural

Research Subject Area(s)

Studies In Creative Arts and Writing: Film, Television and Digital Media, Performing Arts and Creative Writing
Language, Communication and Culture: Cultural Studies

‘Participation’: Rediscovering and repurposing the creative productions of the Birmingham Film and Video Workshop (BFVW) for new audiences and practitioners

Summary of the impact

Roger Shannon's research on the legacy of the Birmingham Film and Video Workshop (BFVW) has fed directly into the curation and digitisation of previously neglected productions from this pioneering collective, which are now available for public exhibition at arts centres, cinemas, galleries and festivals. The specific examples of the public articulation of the impact include the Participation exhibition at the Vivid Gallery in Birmingham (2009), the digitisation of the original BFVW material, and the Hell Unltd/Traces Left event at the Glasgow Film Theatre (2013) which Shannon co-ordinated. He also worked closely with musician Kim Moore in her composition and performance to accompany the Hell Unltd event.

Three claims to impact stemming from Shannon's research are made here:

  1. Engaged new audiences with a previously lost aspect of Birmingham's cultural history — the important legacy of the Film and Video Workshop from the 1970s and 1980s and their influence on independent film and television production
  2. Curation and digitisation of BFVW film and video material, now archived at Vivid Gallery in Birmingham, for new audiences, curators and artists
  3. Rediscovery of the life and work of Helen Biggar, neglected collaborator of Norman McLaren and pioneer of the women's protest movement.

Submitting Institution

Edge Hill University

Unit of Assessment

Communication, Cultural and Media Studies, Library and Information Management 

Summary Impact Type

Cultural

Research Subject Area(s)

Studies In Creative Arts and Writing: Film, Television and Digital Media
Language, Communication and Culture: Cultural Studies

Transforming Screen Culture

Summary of the impact

Through the agency of Screen Archive South East (SASE) and Cinecity, GRAY's research has transformed the history and wider understanding of screen cultures, particularly during the industry's formative years. Primarily his work has affected public life through the collection, preservation, cataloguing and conversion of diverse footage to publicly accessible formats, creating access to material from otherwise marginalised and forgotten film histories. Engaging with local communities, national and international museums and broadcasters, he has developed new public audiences for contemporary and historical screen culture that have generated over £1.8m in income, with total audiences exceeding 25 million. Secondly, his research has shaped public policy by contributing to the strategic direction of screen heritage across the UK.

Submitting Institution

University of Brighton

Unit of Assessment

Art and Design: History, Practice and Theory

Summary Impact Type

Cultural

Research Subject Area(s)

Studies In Creative Arts and Writing: Film, Television and Digital Media
Language, Communication and Culture: Cultural Studies
History and Archaeology: Curatorial and Related Studies

'I Am Breathing': raising awareness about, and lending a voice to, people with Motor Neurone Disease

Summary of the impact

I am Breathing, a feature-length documentary directed by Emma Davie (ECA) and Morag McKinnon (unaffiliated) and released in 2012, builds on experiments in co-creativity in film, and explores the ethics and the aesthetics of making a film with, rather than about a man dying of Motor Neurone Disease (MND). Neil Platt wanted to use the film to raise awareness about MND, and since his death, I am Breathing has not only been screened 242 times in thirty-four countries, but has been distributed in concert with the MND Association, raising awareness about the disease, contributing to increased sign-ups to the Association, and lending people with MND a new public voice.

Submitting Institution

University of Edinburgh

Unit of Assessment

Art and Design: History, Practice and Theory

Summary Impact Type

Societal

Research Subject Area(s)

Medical and Health Sciences: Neurosciences
Studies In Creative Arts and Writing: Film, Television and Digital Media
Language, Communication and Culture: Cultural Studies

Spectatorship, Audiences and Film Criticism

Summary of the impact

This case study examines the impact of Catherine Wheatley's research into spectatorship, audiences, and critical contexts through engagement with the popular press and public-facing media institutions. It focuses on Wheatley's work with Sight & Sound, the monthly consumer magazine published by the British Film Institute, which reaches beyond academia to a cine-literate but non-specialist audience. Her research has influenced discussion and criticism of cinema for a large, interested cine-enthusiastic audience as well as contributing to broader public debate and cultural discussion of cinema through mass-media appearances. She has also judged a competition for budding female critics, encouraging more women to write thoughtfully on film, and nurturing a new generation of women critics through which her research has been able to influence the practice of film criticism more widely.

Submitting Institution

King's College London

Unit of Assessment

Music, Drama, Dance and Performing Arts

Summary Impact Type

Cultural

Research Subject Area(s)

Studies In Creative Arts and Writing: Film, Television and Digital Media
Language, Communication and Culture: Cultural Studies, Literary Studies

The Spirit of Film: Expanding Public Understanding of Film Heritage

Summary of the impact

Carter's research into the life and work of the Hungarian film theorist Béla Balázs (1884-1949), and her collaboration with Rodney Livingstone (Professor Emeritus, Southampton) on the first English translation of his early works, provided the inspiration for a travelling exhibition, film screenings and website that showcased Balázs's early writing, and explored the connections between his film theory and contemporary film practice. Artist Zsuzsanna Ardó approached Carter to collaborate following the publication of an article on Balázs (Screen 2007), and worked with her to mount an exhibition at BAFTA and three Everyman Cinemas in London, accompanied by public talks and film screenings.

Submitting Institution

University of Warwick

Unit of Assessment

Modern Languages and Linguistics

Summary Impact Type

Cultural

Research Subject Area(s)

Studies In Creative Arts and Writing: Film, Television and Digital Media
Language, Communication and Culture: Cultural Studies, Literary Studies

Anthony

Summary of the impact

A research project on the General Post Office Film Unit culminated in a series of film screenings, DVD releases, talks and events. It resulted in the work of the Film Unit being added to the UNESCO UK Memory of the World register and the BT Heritage telecommunications collections being awarded Designated status by the Arts Council.

Submitting Institution

University of Cambridge

Unit of Assessment

History

Summary Impact Type

Cultural

Research Subject Area(s)

Studies In Creative Arts and Writing: Film, Television and Digital Media
Language, Communication and Culture: Cultural Studies
History and Archaeology: Historical Studies

Film festivals: creating, events, programmes and audiences

Summary of the impact

Film Festivals constitute the main institutional alternative to commercially-driven cinema and as such occupy a vitally important part of our cultural heritage. The BFI estimates that `only 7% of all cinema screens are regularly devoted to non-mainstream film', and cites the film festival as an exemplary model for broadening cinema knowledge and education (`New Horizons for UK Film 2012-17'). Film Studies Queen Mary is committed to enhancing a public understanding of obscure and complex film through film festivals, bringing to bear insights born of research including production histories and analytical interpretations of film texts and performances. Collaborating with programmers, curators, local authorities, and diasporic communities, researchers have made significant contributions to festivals including to the founding of two new film festivals (the London Spanish Film Festival 2005 and Cutting East Youth Film Festival 2013), engaging with constituent groups and cultures that are not strongly represented in the UK's commercial film culture.

Submitting Institution

Queen Mary, University of London

Unit of Assessment

Modern Languages and Linguistics

Summary Impact Type

Cultural

Research Subject Area(s)

Studies In Creative Arts and Writing: Film, Television and Digital Media
Language, Communication and Culture: Cultural Studies, Literary Studies

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