Summary of the impact

Laura Bradley's research on GDR theatre censorship (2006-) enabled the University of Edinburgh to stage The Stasi are Among Us at the Glasgow Film Festival (2011). This two-day event increased public understanding of East German culture, showing how artists participated in censorship and how it affected their working lives: 95% of the audience agreed that they had learned more about GDR culture and/or censorship. The event's success led the Glasgow Film Festival's Artistic Director to choose Germany as the country focus for the 2012 Festival. Bradley has collaborated with Theatre Found on events campaigning against present-day censorship in Belarus and Iran, using the recent East German experience to explore control mechanisms and show how they were abolished.

Summary of the impact

Professor Rebellato's research has been a significant factor in the revival of Terence Rattigan's reputation as a serious playwright, impacting on a wave of high-profile productions from 1998-2013. He has impacted on two groups of beneficiaries identified in the Department's Impact Strategy:

1. Professional theatre-makers: His scholarly editions of Rattigan's plays used by actors and directors for performance. He contributed directly to the National Theatre's decision to revive one of Rattigan's least-known plays;
2. Theatre audiences and members of the public: Rebellato's many public talks, programme notes, appearance on broadcast media have helped shift the critical reception of Rattigan's plays.

Summary of the impact

This case study describes the impact of making academic knowledge of Spanish-language theatre widely available so that it creates opportunities for translation, performance and learning. Since 2008, the AHRC-funded project `Out of the Wings' has provided the English-language theatre professional with access to thoroughly researched and contextualized information about Spanish-language theatre that is fit for professional purpose through a database that provides comprehensive information for and about translators, writers, key practitioners and scholars. The work has created the environment for engagement with previously unknown theatre, resulting in new translations, the development of methodologies for the rehearsal of the translated text and the creation of new audiences.

Summary of the impact

Leeder has played a significant role in developing public understanding and appreciation of the culture of the German Democratic Republic (GDR) and its contested legacy after the unification of Germany in 1990. She has over many years promoted the understanding of culture from the former East through publications, translations, public events, work with writers and frequent radio broadcasts. This active work to engage a broad range of audiences, underpinned by high-quality research, has increased awareness of East German culture, has played a role in processes of commemoration, and has supported new forms of literary expression by bringing new works by established and emerging authors, filmmakers and artists to the forefront in public debate on these issues in the UK and beyond.

Summary of the impact

Professor Tim Prentki's research focuses on how the arts can benefit both society and the individual, with a particular focus on the methods practitioners can employ to achieve positive change and improve the quality of life within specific communities. His work challenges cultural values and social assumptions and contributes to debates about civil society and policy making.

The impact of this work has been felt in the following areas:

• Leading training workshops with NGO personnel on the Indian sub-continent in the workshop methods Prentki developed;
• A global network of facilitators trained through the MA programme;
• Engagement of community activists in developing democratic capacity;
• Stimulating debate on the efficacy of applied theatre through published research;
• Contributing to a reconsideration of what constitutes impact in this field.

His recent, original contribution to the field lies in his ground-breaking practice of linking facilitation, central to the development of `truthful' performance, to the traditional role of the `fool' in theatre.

Summary of the impact

The Stanislavski Centre,(Patron, Prof. Anatoly Smeliansky), founded 2007, responds to the Stanislavski legacy and post-Stanislavski approaches to acting and provides a research-driven facility promoting and developing a new field of `Stanislavski Studies' within an international context. The Centre acts as a conduit enabling professional practice and scholarly research to interact, enrich and inform each other. Based upon the pioneering research, translations and publications of RBC's former Principal, Professor Jean Benedetti, the Centre, guided by a distinguished advisory board, includes an archive of photographic, printed and AV materials and hosts an annual programme of events open to the public. In 2012, the centre launched an ejournal, Stanislavski Studies. (bit.ly/Iu8VVo)

Summary of the impact

Cultural studies at Middlesex has often exemplified the New Left tradition that played an important role in founding the discipline. It sees cultural research as part of a broad continuum informing and shaping political debate, policymaking and civic education. Facilitated by a series of e-publications, public events and other activities, many associated with the journal Soundings, and working with organisations such as the Guardian, Oxfam, Friends of the Earth and the Labour Party, this research has had a demonstrable impact on issues of intergenerational politics, ethical consumption and the role of identity in new political formations. Key beneficiaries are charities, NGOs, political parties, think tanks and members of the general public.

Summary of the impact

David Robb's research into folk and protest song has an impact on a wider public through its promotion at music clubs and festivals and in its use in political education in schools. The context for the impact is the general political climate in Germany since the Second World War where protest song has been supported at a national level as `democratic' heritage. Questionnaires from a recent workshop revealed how teachers have made use of Robb's recent on-line research project to promote a democratic consciousness amongst pupils. His research has also influenced the song repertoires of folk groups and performers.

Summary of the impact

The AHRC-funded British Grotowski Project has enhanced international theatre practice and the teaching of theatre in schools, as well as broadening cultural understanding in the UK.

The project enabled the development of new theoretical and embodied understanding of Jerzy Grotowski's oeuvre within and beyond the theatre profession, enhancing theatre skills in actor training and directing amongst professional practitioners, schoolteachers and pupils. Many project events took place under the auspices of the Polish government's Polska! Year in the UK and UNESCO's Year of Grotowski, both 2009, which broadened the global impact.

Summary of the impact

This case study documents the impact of practice-as-research into playwriting methodologies engaging multiple voices as expressive of the instability of auto/biography and the social/political construction of the self. This research has had a national and international impact on the cultural life, the quality of life and education. The impact was initiated at the anniversary event of the Goethe-Institute (Dresden and Mühlheim) in celebration of the twenty years since the fall of the Berlin Wall; the impact has been continuing and, apart from a life in the theatre, has resulted in the inclusion of the script in German language tuition at A-Level (Routes Into Languages Project).