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Almost everything about Islamophobia is contested, from the very phenomenon and name, to its attendant facts and the responses it calls for. This case study focuses on a research-based intervention which has impacted how key stakeholders frame the discussion of Islamophobia at critical junctures of the grassroots-media-policy continuum. Specifically, for those most actively affected by and engaged with the issue, it has opened up more robust critical modes of intervention and argumentation. The research was conceived and informed by a commitment to public engagement envisaged as a two way and participatory process with communities and stakeholders, and has influenced public debate and benefited community relations in the UK, Europe and beyond.
For Professor Marina Warner literature acts as a cultural ambassador to open up dialogue in a globalised world riven by ideological and military conflict. She has used her research, which culminated in her multi-award-winning book Stranger Magic: Charmed States and the Arabian Nights, to make a historical and cultural contribution to understanding the Middle East from the point of view of literary and artistic inter-relationships. She has used the extraordinary success of the book to raise public awareness through a series of international engagements. In the process she has addressed millions and contributed to cultural capital and debate worldwide. She has also directed the selection strategy of a major New York publisher, the Library of Arabic Literature.
Bangor University's publications on medieval Arthurian literature c. 1350-1550, in particular on French and English medieval romances, have impacted on the local, national and international cultural life and heritage, economic prosperity of local tourist attractions, the enhancement of the theatrical audience experience (the Royal Shakespeare Company) and creative practice (King Arthur's Labyrinth). Dr Radulescu's work was vital to international TV and radio programmes on the Arthurian legend, and in 2011-13 to the development and enhancement of reading materials for the educated general public and developments in creative writing.
Cultural studies at Middlesex has often exemplified the New Left tradition that played an important role in founding the discipline. It sees cultural research as part of a broad continuum informing and shaping political debate, policymaking and civic education. Facilitated by a series of e-publications, public events and other activities, many associated with the journal Soundings, and working with organisations such as the Guardian, Oxfam, Friends of the Earth and the Labour Party, this research has had a demonstrable impact on issues of intergenerational politics, ethical consumption and the role of identity in new political formations. Key beneficiaries are charities, NGOs, political parties, think tanks and members of the general public.
Established in 2003, Queer@King's provides a focus for queer studies research and a meeting place for queer scholars and wider LGBTQ communities, including activists, artists, advocates, curators, performers, school educators, and writers, in which to share ideas and shape public discourse. Through Queer@King's, academics have enhanced queer life and civil society in London, and developed a remit around cultural production and advocacy that is both national and international. Impact includes shaping public discourse and informing public understanding about queer histories; challenging dominant assumptions about sexual minority lives, including those of transsexuals; and informing educationalists and law makers. Submitted projects relate to the research of Prof. John Howard, Dr. Robert Mills, and Prof. Mark W. Turner.
From 2002 the Centre for the Study of World Christianity (CSWC), formerly Centre for the Study of Christianity in the Non-Western World (CSCNWW), at the University of Edinburgh established an action research process which culminated in the establishment of nine international study groups from 2008-10 leading to the international conference `Edinburgh 2010', a major ecumenical conference with delegates from 115 Christian denominations. This conference, livestreamed around the world, marked the centennial of the Edinburgh World Missionary Conference 1910 (EWMC 1910). Drawing on its research on EWMC 1910, CSWC established an international process of knowledge co-creation involving and benefitting churches, church leaders, clergy, laity, ecumenical and mission organisations, as well as scholars of Christian mission and Christian history. The project has led to increased understandings of Christianity as a religion of the global South as well as North, and a reinvigoration of global ecumenical partnership in mission reflecting this understanding, as evidenced in form of impacts on theological education at the global level.
The Middle East Centre (MEC) has achieved a unique standing in providing informed analysis of the region, based on its cumulative academic expertise. It has made significant contributions to the media's and the public's understanding of political and societal developments in the Middle East. The MEC has given advice both to emerging Arab democracies on their own political systems, and to other governments on their relations with the countries of the region. The centre itself has also become a place of neutral ground, where individuals from opposite sides in conflicts in the region can meet, away from local tensions.
Professor Christopher Bannerman conceived this large-scale project as an extension of the ResCen mission to connect academia more intimately with the arts profession. The project promotes international communication and understanding between the UK, China and Taiwan linking Middlesex University with the Beijing Dance Academy (BDA), China National Academy for Arts Research (CNAAR) and Taipei National University of the Arts (TNUA), amongst others. Through collaborative dance-making between choreographers and dancers from these countries, artists exchange perspectives and artistic and cultural paradigms, and present work to international audiences. In China and Taiwan, this develops platforms for experimenting with European artistic methods, and in the UK, it raises the profile of East Asian dance, art and culture, where these endeavours have been under-represented. Through online forums, discussions, seminars and conferences, the project opens dialogue about encounters with, and understandings of, the other. The project achieves reach and significance in conversation with policy-makers and producers in three sectors beyond HE: arts professional practice, cultural policy, and civil society. At its first stage the project was named Danscross, evolving into Artscross as further partners were involved. The project has taken the form of a series of intensive workshop/performance periods including discussion groups, lectures and symposia, linked by ongoing communication and exchange. Danscross 2009 and ArtsCross 2012 took place in Beijing, and ArtsCross 2011 and 2013 in Taipei and London respectively. See an overview published in Arts Professional (Bannerman 2013): http://www.artsprofessional.co.uk/magazine/268/article/bringing-it-all-back-home.
Research undertaken by Professor Antoni Kapcia has had far-reaching influences on policy formation (internationally) and has improved the intelligence base on Cuba for journalists, business organisations and diplomatic missions. It has:
The study describes how the Unit's research underpinned a national exhibition that made an active contribution to the debate about immigration and integration — issues that dominate social, media and political discourses in France. The exhibition helped to confront the clichés, assumptions and tensions characterising the national debate on the place of North African immigrants in French society. The Unit's Dr Rabah Aissaoui was closely involved in defining the structure and content of a national exhibition entitled Generations: A Century of Maghrebi Cultural History in France, staged in Lyon, Paris and Caen between 2009 and 2011. The exhibition was the first of its kind to be staged in the country and brought the richness and variety of the cultural contribution made by North African immigrants to national attention. It was cited as a prime example of good practice in the fight against racism and prejudice in the Annual Report Fight against Racism, Antisemitism and Xenophobia presented to the French Prime Minister by the National Consultative Commission of Human Rights in 2010.