Log in
The significance of illumination for the development of innovative place-making strategies designed to enhance convivial life in the city, enable better communal heritage preservation and augment urban economic capacity has been acutely underestimated. The research showcased here is interested in discovering new concepts and methodologies for the understanding, utilisation and evaluation of illumination as both a facilitator and intrinsic expression of communal life in both the city and beyond. The research has initiated a vibrant knowledge exchange between academics, professionals and municipal authorities leading to the establishment of an increasingly international network focused on the politics, aesthetics, communal benefits and economic potential of effective urban place-making through strategic illumination. The research has also impacted on the tourism strategies of coastal towns and resorts, and on heritage cultivation through the provision of expert advice. Among both specialist stakeholders and the wider public the research has raised awareness of illumination as a place-making strategy, as well as a matter of class and taste. The research has also rehabilitated aspects of popular culture by reappraising the role of the vernacular in municipal event planning and general policy-making discourse.
Our research has harnessed the power of photography to expand the cultural imagination, creating new works and interpretive practices that enrich, illuminate and challenge perceptions of society and the world in which we live. Through exhibition, publication, and public and community engagement, our research has: 1) created cultural legacies for major public (Millennium Dome, Treasury) and commercial (Airbus) projects; 2) provided enhanced cultural experiences to multiple audiences and specific communities in the UK and Europe, provoking reflection on ideas of place and identity, and contributing to processes of cultural memory and reconciliation (Association of Jewish Refugees, Healing Through Remembering) and; 3) expanded photography within the cultural economy, working in partnership (Photoworks, Multistory) to build and sustain audiences for photography within and beyond the region.
Borden's research into the history and contemporary urban practice of skateboarding, and particularly its role within cities and public spaces, has enhanced understanding of this global urban activity, leading to significant changes in how the public and media understand skateboarding culture in the UK and abroad. His work has also contributed to the campaign to save a historic skateboarding site at the Southbank Centre in London, and to moves to protect similar sites elsewhere. Finally, research by Borden has informed the design and development of some of the most influential skateboarding venues in the country.
Working in close collaboration with a range of non-academic partners, research insights into the connections between technological change and narrative and visual culture inform the mediation of Scandinavian literary and cinematic classics to UK and international audiences. Methods used encompass analogue and digital publication technologies, exhibitions, public talks, translations, theatre performance, and stand-up comedy. This has enhanced public awareness of and access to Scandinavian literary and cinematic heritage in the UK and internationally, produced new cultural resources, and transferred skills, knowledge and resources between researchers, partners in publishing, translation, design and theatre, and Scandinavian embassies and cultural institutions.
Two decades of research in the Global Urban Research Unit at Newcastle University has significantly shaped public awareness and political understanding of the links between technology, infrastructure and security within highly urbanised societies. Research into the role of cities as key sites of security and war and the spread of `the surveillance society' are two interlocking foci that have generated impacts with global reach. Of particular significance are: a) research and scholarship to develop key concepts and a language that captures and communicates how urban landscapes are being infiltrated by military technologies. We specifically highlight the publication of Cities Under Siege as the culmination of this work and its impact on national and international public debate, and; b) specific studies into surveillance technologies in Britain that impact directly on public debate and the formation of specific national policy.
James Clifford Kent is attracting new global audiences to the theorisation of how space and place is constructed and consumed in contemporary society. His practice-led research project, Memories of a Lost Shark: Framing cultural imaginaries of Havana, Cuba, engages the public in a re- examination of the way we construct cultural imaginaries, impacting upon cultural life, education and public discourse. Kent's series of photographs of Havana combine his contemporary re- workings of historic and iconic Cuban imagery with annotations written by the renowned Cuban writer Edmundo Desnoes. These have been made accessible through public exhibitions, gallery talks and events, as well as through online galleries available on his own website, jckent.com.
The Leon Golub retrospective at Madrid's Reina Sofia Museum introduced Golub's politically engaged work to a city with a radical political history. Curated by Jon Bird, leading authority on Golub, it examined how Golub's depictions of political and military power impact upon individual and collective social bodies. It also related Golub's work to paintings by Goya and Picasso. Extensive public/media response, particularly as it spread through the Spanish-speaking world, confirmed the achievement and topicality of Golub's practice and the significance of the retrospective. Consideration of the role of painting as a mode of political commentary in itself, and as a catalyst for broader discussion of the visual representation of dictatorships and state violence, was found amongst curators, critics, and the general public. Bird's curatorial approach was informed by Middlesex University (MU)'s critical legacy of visual cultural studies, emphasizing works of art as social, material and expressive cultural objects.
Research on urban planning has influenced planning decisions and assisted the Scottish Government and Local Authorities to maximise economic, physical and social factors in city visioning, planning and design. The private sector has received advisory and design training in master-planning though advanced spatial modelling principles and user engagement techniques; local authority planners have also been trained. The research has contributed to a paradigm shift in city planning towards place-making and community design, not just in Scotland but internationally. This agenda is now established as mainstream in city planning, and Scotland is regarded as a reference to best practice as witnessed by the wide adoption of planning documents such as Designing Places, Designing Streets, and in recent large scale developments such as Tornagrain (around 4,000 new homes), Knockroon (around 750 new homes) and Chapelton (around 8,000 new homes), which have used Strathclyde's master-planning techniques.
Research carried out at Northumbria has explored the relations between culture and medicine during the eighteenth century, resulting in an improved historical understanding of the way in which culture influences the experience and treatment of illness. The impact has been significant for members of the medical profession and more widely for health professionals, as well as making a positive impression on the general public. It has also influenced local work in theatre and arts as therapy. The research continues to have implications for our understanding of both popular and medical discourses regarding illness.
Vanessa Toulmin's research into working class entertainment has had cultural and economic impact, creating and interpreting cultural capital to enrich and expand imaginations and sensibilities, and applying the knowledge gained from research to create wealth in the service, creative, and cultural sectors. Her research has galvanised the regeneration of Blackpool's Winter Gardens, helping raise £40 million to save the complex, and has rejuvenated Blackpool's cultural scene. These activities have increased visitor numbers and revenue, and have enhanced the public appreciation of these historic entertainment locations. Public understanding of the cultural and creative significance of working class entertainment has also been furthered by high-profile events such as CircusFest at London's Roundhouse, and numerous media appearances.