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Elliott, Haillay and Young are central to our research in film-making. Theirs is a socially-engaged but elegiac cinema of contemporary times. Elliott (writer and director), Haillay (producer) and Young (writer/producer) have, over the REF period, collaborated with one another, and with others, to create an influential body of work. The innovative approaches to narrative and the visual beauty of their cinematography have had an important impact on cinema audiences nationally, even more so internationally. They have participated in numerous international film festivals and won awards. With new productions currently at an advanced stage, the trajectory of their research is still upward. The standing of their backers and finance-providers attest to their growing international prestige, and audiences for their work continue to grow.
Working in close collaboration with a range of non-academic partners, research insights into the connections between technological change and narrative and visual culture inform the mediation of Scandinavian literary and cinematic classics to UK and international audiences. Methods used encompass analogue and digital publication technologies, exhibitions, public talks, translations, theatre performance, and stand-up comedy. This has enhanced public awareness of and access to Scandinavian literary and cinematic heritage in the UK and internationally, produced new cultural resources, and transferred skills, knowledge and resources between researchers, partners in publishing, translation, design and theatre, and Scandinavian embassies and cultural institutions.
In the fast changing era of digital technology this cluster's research impacts upon audiences locally and internationally. Through experimental films and videos, interactive media and performances its outputs engage and challenges audiences in cinemas, galleries and on the worldwide web. As well as galvanizing public consciousness on climate change (Franny Armstrong) and engendering greater understanding of synaesthesia (Sam Moore), a significant dimension to the impact focuses upon the transition from analogue to digital technology. While the moving image and performance work (Guy Sherwin and Paul Harrison) also expands the boundaries of moving image technology in the spatialised context of galleries.
Roger Shannon's research on the legacy of the Birmingham Film and Video Workshop (BFVW) has fed directly into the curation and digitisation of previously neglected productions from this pioneering collective, which are now available for public exhibition at arts centres, cinemas, galleries and festivals. The specific examples of the public articulation of the impact include the Participation exhibition at the Vivid Gallery in Birmingham (2009), the digitisation of the original BFVW material, and the Hell Unltd/Traces Left event at the Glasgow Film Theatre (2013) which Shannon co-ordinated. He also worked closely with musician Kim Moore in her composition and performance to accompany the Hell Unltd event.
Three claims to impact stemming from Shannon's research are made here:
John Wyver's research on strategies for creative adaptation of theatre and opera to the screen has had an impact on cultural life, on the economic prosperity of UK cultural sector, and on education. His practice-based research on television adaptations of contemporary opera and Shakespeare plays has been central to British television's presentation of performance since 2008. This research has led to a spend of more than £3 million in British independent television production. His productions have been the focus for significant educational initiatives by the BBC and The Open University. From 2012 he has been engaged as Media Associate by the Royal Shakespeare Company in order to embed his research within their activities and develop a future strategy.
REBOUND is an interactive, media-based drug prevention programme targeted at young people in Europe. Researchers at the University of Greenwich worked with young people to redesign the curriculum and materials for a British audience and produce a series of short educational films which are being used in the programme's resilience training. Preliminary results show a reduction in drug and alcohol harm amongst participants including a drop in binge drinking, reduced cannabis use, increased search for help and greater harm reduction knowledge. After using the films, young people are making their own videos as educational tools to pass on their learning.
Kafka's Wound', a response to Kafka's short story `A Country Doctor' (1919), was created as part of the `Re-imagining the Literary Essay for the Digital Age' (RILEDA) project. The essay is available at www.thespace.lrb.co.uk.
Commissioned from the London Review of Books (LRB), an independent literary publisher, RILEDA was supported by £45k from ACE who invested £3.5m in 51 commissions. The work was `located' in the Space, an experimental digital arts service, itself a major project within Arts Council England's creative media policy and its Public Value Partnership with the BBC.
Headed by Will Self, novelist and professor of contemporary thought at Brunel University, RILEDA involved over 70 collaborators drawn from the School of Arts and many other departments (especially Computing, Engineering and Design) in a collaborative, interdisciplinary, practice- based, research project. Institutional contributors included the BBC Radiophonic Workshop, the Imperial War Museum, and the National Centre for Jewish Film. The research was carried out between March and July 2012 and the essay was `published' in August 2012.
Highly innovative and of high artistic quality, RILEDA has impacted diverse audiences worldwide, evolving the multi-media digital literary essay while encouraging innovative approaches to digital arts and supporting the case for future public digital arts services. It raises important issues about the nature of authorship, collaboration, and co-design in digital forms which frame broader questions about the nature of creativity, intellectual property rights, and the processes and experience of reading.
The high artistic quality and innovative user interface engaged a significant worldwide audience with 49,208 visits in 12 months, 57% from outside the UK.
The MyStreet project explores a new collaborative anthropology by training and facilitating filmmakers in in using techniques some of which were inspired by study of Mass Observation. This is achieved through a competition and online film archive with a global audience, and the annual Open City Docs film festival which has led to new partnerships with private and community organisations, and inspired a similar project in Prague. Through DocinaDay, about 350 students and community groups from high-exclusion areas received training in filmmaking and a screening platform, with positive impacts on social cohesion and individual welfare.
Dr Paul Grainge (Associate Professor of Film and Television Studies, Nottingham, 2001-present) and Dr Catherine Johnson (Associate Professor of Film and Television Studies, Nottingham, 2010-present) have been pioneering the study of the promotional screen industries, raising the status of a vibrant sub-sector of the global creative industries. Through engagement with key media practitioners, they have:
Jane Thorburn's research into Nigerian cinema and storytelling forms, together with her long-running practice-based research within documentary and experimental arts filmmaking, led to a NHS commission to produce a film on sickle cell disease (SCD). The Family Legacy project has had an impact on cultural values and health and wellbeing in civil society, and on public services and education in the UK and Nigeria. Making innovative use of the story-telling conventions of Nollywood home videos in order to engage its audience, the film successfully led an NHS campaign to educate — and enhance the public service offered to — people at risk of producing children with debilitating sickle cell disease, enabling them to make informed health choices before conception and during pregnancy. It also challenged taboos and myths that previously surrounded the disease. The Family Legacy has been widely disseminated, not only on television channels in UK, USA and West Africa, but also on genealogical websites and in ground-breaking outreach campaigns in barbers' shops, mosques, churches and doctors' surgeries in the UK. An estimated 12 million people have been reached by this campaign, with positive feedback of attitude change from the 3500+ people attending NHS awareness-raising sessions.