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Outstanding both for its quality and quantity, the medieval stained glass of Norfolk represents a major aspect of world heritage. It also supplies a rich resource for artists, museum curators, teachers and local study groups. Under the direction of Carole Rawcliffe, and utilising the academic expertise of David King, a leading authority on medieval glazing, the Norfolk Medieval Stained Glass Project secured funding of £266,888 from the Leverhulme Trust to promote a wider awareness and appreciation of the treasures in our midst and to ensure their (previously threatened) long-term future. Between 2005 and 2010, the project catalogued the surviving glass and documented what had been destroyed. Impact was broadcast via an innovative website and by published materials and exhibitions intended to deliver findings of interdisciplinary significance to an international constituency of museums, historians, teachers, tourists and other members of the general public.
This case study concerns two forms of impact from the 2012 BBC2 television series, The Crusades, based on the research of Asbridge (www.bbc.co.uk/programmes/b01b3fpw): on the public understanding of the crusades; and on the creative industries. Asbridge's landmark television series, which he wrote and presented, informed public understanding of the crusades as an historical event with contemporary echoes in international political debate. In this example of one area of the School's historical research, a Queen Mary historian has drawn upon two decade's research on the history of the crusades to mediate his findings for a national and international public audience. Asbridge's series presented his research in an accessible, non-technical form to over two million viewers in the UK and to audiences across the world from Australia to Russia. In achieving a major BBC television commission to produce a series based on his research, Asbridge also made a contribution to the creative industries. The Crusades led to employment and prosperity for a television production company (360 Productions — www.360production.com/) and to the development of BBC television history.
Lancaster's History department has built on its tradition of service and consultancy to transform public resources for, and engagement with, the history of northern England (Lancashire, Cumbria, Northumberland, and the Borders). This has been achieved through: i) creating open-access databases of historical sources with tailored support for non-academic users; ii) training non-academics in historical research and engaging them in projects, thereby empowering people in the region and beyond to `do history', particularly through the Victoria County History, Cumbria: a community-based project fostering life-long learning, led by the department and funded through partnership with a charitable trust; iii) contributing to the development of a new archive centre in Carlisle, thus enhancing the region's archival infrastructure.
Since 1948, Leicester historians have transformed the way we look at the past by pioneering new methodologies centred on Local History. In the last two decades, this "Leicester Approach" has reconnected history to ordinary people, involving them in historical research and showing in practical ways the relationship between history and local communities. This case-study highlights the public impact of Leicester's latest research projects, which have systematically empowered local communities to explore, understand and enjoy their family, regional and cultural histories. In a fast-moving, migratory world, the projects enhance public awareness of a shared past, boost local place attachment, and foster cultural understanding and cohesion.
Through accessible local history resources co-produced by academics and community volunteers, Riden has helped to open up previously academic-focused research to new, local audiences. He has empowered amateur historians through new research skills to take an active role in documenting and thereby conserving their communities' histories (this has included volunteers publishing their own research). He has contributed to an improved quality of visitor experience at a local heritage organisation through providing new knowledge and confidence to volunteer guides. Through translating the co-produced resources for use in primary and secondary schools, he has given children new research skills which they have then used to develop new understanding of their community's history.
Diarmaid MacCulloch's lifelong research in Church History led to the momentous undertaking of a one-volume History of Christianity (2009). Reviewers agreed that it was not merely a masterly presentation of an immense amount of data but also broke new ground in its novel take on the historical narrative of this religion. This work alerted BBC producers who contracted MacCulloch for a series of six one-hour-long episodes. The series was screened twice on BBC4 in November and December 2009, on BBC2 in January 2010 and on BBC4 again at Easter 2010. It was subsequently issued on DVD in European and US formats. Discussions of the work in the media and extensive viewer feedback testify to its impact on the cultural life in the UK and internationally. Released viewer figures for the TV series and sales figures for the DVD are indicative of the impact MacCulloch's work has had on economic prosperity.
This case study concerns the public understanding of history as a practical discipline. Through a series of high-profile research publications, popular articles, and textbooks, Professor John Tosh's research has had an impact in two distinct ways. Firstly, these publications have been incorporated into teaching and lecturing practice internationally, influencing students' understanding of the discipline. Secondly, they have had an impact on wider public understanding of history as a practical discipline. The reach and significance of this impact is demonstrated by publication sales and readership figures, high-profile critical reception, political debate and wider public discourse.
Keele University's long-standing research expertise in local history, particularly that of its immediate region, has had a significant and enduring impact on professional practice, community resilience and individual well-being. Keele historians have provided vital assistance to local archivists and heritage practitioners in the preservation and public dissemination of the region's history and cultural heritage through the provision of substantial works of reference and support for study-days and community `road shows'. Their research has helped sustain local societies and encouraged a variety of volunteering initiatives, whereby groups and individuals are empowered to engage in their own study of the past.
Professor Bartlett has written and presented two television series on medieval subjects for the BBC: Inside the Medieval Mind (four one-hour episodes, BBC4, 2008) and The Normans (three one-hour episodes, BBC2, 2010). Already one of the world's leading medieval historians, he has taken his work to a much wider audience through these series. Impact in this case is primarily on cultural life, through the exposure of millions of viewers to a historical documentary about the Middle Ages. The BBC's estimate of their value is re-emphasized by the recent completion of a third series, The Plantagenets, to be screened in autumn 2013.
The impact that pertains to this case study is located in three domains. Firstly, lay engagement with the understanding and appreciation of ecclesiastical history via public lectures. Secondly, informing understanding about the historical, theological and philosophical processes attached to the discipline of ecclesiastical history through expert comments in the mass media. Thirdly, through the organisation of conferences leading to the development of international societies, international partnerships, and engagement with the general public and dissemination of original research.