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`Cold War Modern. Design 1945-1970' (CWM) was a four-year research project exploring the impact of the cold war on modern art, architecture and design. Conceived, researched and curated as a major exhibition by Professors David Crowley and Jane Pavitt, it provided new interpretations of the history of design in the second half of the 20th century for a wide public, international audience. The exhibition was reviewed around the world and was acquired — as a `package' of concept, exhibits and publications — by venues abroad. We are claiming impact in the fields of public and media understanding of post-Second World War cultural history and on the curatorial and collecting activities of museums around the world.
Memory of Fire, the 2008 Brighton Photo Biennial, shown across nine venues, had public impact, as measured by audience figures, audience comment on the website and in gallery comment books, attendance at public events and in education programmes, and the analyses of the event in an independent audit and Audience & Visitor Evaluation Report. Its longer term impact derives from the stimulation of discourse about the role of imagery in the conduct of war, over a period in which the UK has continually been at war, and in which the media's treatment of war has been of pressing public concern.
Research from the Creative Futures Institute (CFi) has generated original understandings of how social media has triggered change within the practice of journalism. The evidence shows how findings from 3 inter-related projects were a catalyst for skills development and generated new contributions to civil society and the creative community. Impact is demonstrated across 15 organisations where new community media collectives were developed around the Vancouver 2010 Olympics (W2 Centre & True North Media House) and London 2012 Olympics (#media2012 & #CitizenRelay). UWS research led these organisations to invest £115,000 additional funds and implement these findings in their current work.
Research by members of the Department of Media and Communications on news and journalism in the digital age has been critical in three main areas of impact. Most importantly, it has been used to develop civil society engagement and high-level recommendations to media policy-makers and politicians, on media reform and the Leveson Inquiry. Secondly, this research has been used by the news industry itself in developing its practice for the digital age. Thirdly, recommendations made in the research on collaborative relationships between news organizations and civil society associations have been implemented across the country by the Media Trust.
Ben O'Loughlin led and participated in a series of grant-funded collaborative projects that explored the nexus between media and security, provided a foundation for innovations in political communication theory and practice, and impacted upon government, business and media organisations. The iteration of projects and outputs integrated qualitative and quantitative, behavioural and interpretive methodologies, which in turn revealed emergent relationships between policy, media and publics in global, multilingual media ecologies. O'Loughlin's collaborations with Linguamatics Ltd, the BBC World Service and the House of Lords have led the application of these new methodologies and created policy debate on the ethics of their use.
The Centre for Freedom of the Media (CFOM) at the University of Sheffield is among a core group of expert organisations helping to shape the work programmes of UN agencies, the Council of Europe and other IGOs, to put in place effective measures to safeguard free and independent media as well as journalists' physical safety against violence and judicial harassment and interference. CFOM research has played a prominent part in consultations leading to the adoption in 2012 of the UN Action Plan on the Safety of Journalists and the Issue of Impunity, the purpose of which is to ensure better protections for the investigative work of journalists worldwide. As a close partner of UNESCO in the implementation of the UN Action Plan (2013-14), CFOM participates actively in monitoring, evaluation and follow-ups, assists the UN and other authorities to uphold international law, and is pioneering work to promote curriculum development relating to these issues.
Research into properties of scale and surface undertaken by ceramicist Felicity Aylieff has achieved substantial national and international impact in cultural life and education since 1996. The research leads to significant innovations in ceramics, especially in the areas of monumental sculptures and translation of traditional techniques to contemporary use. These are realised in a body of work and dissemination by public speaking, exhibitions and publications. Through innovative international collaborative projects, the established separation between studio ceramics and industry has been bridged globally.
Researchers at the Photography and the Archive Research Centre (PARC) study the practice and products of photography in terms of both artistic importance and social relevance, recognising photography's many roles including its presence in: the art world; reportage; autobiographical practice; and in social and political education. This case study demonstrates PARC's impact on cultural life via the production of work and curatorial practice, bringing new insights, challenging assumptions, and raising awareness of the role of photographic practice in the public realm.