Log in
This case study focuses on the impact of research carried out at the University of Cambridge into the history of evolution by Professor James Secord and co-workers, notably the impact of two research programmes: the Darwin Correspondence Project and Darwin Online. These projects have contributed to a substantial reorientation of public discourse on the history of evolution. The impact has been achieved through web resources; museum and library exhibitions; teaching materials for schools and universities; and radio and television programmes. These outputs have encouraged public understanding of the range of contributors to science, including women; an awareness of the diversity of positions in the evolutionary debate; and an appreciation of the complex relations between evolutionary science and faith. The projects have shown that the highest achievements of scholarship can be made freely accessible to a global audience.
The Stonehenge Riverside Project was carried out between 2003 and 2010, to determine the purpose of Stonehenge by investigating both the monument and the surrounding landscape. The project's reach and importance have been considerable, from training and inspiring the next generation of professional archaeologists to stimulating people worldwide with new knowledge about Stonehenge, providing artistic inspiration and changing perceptions and beliefs about the use of the site, leading to significant economic, cultural and technological benefits.
There are two ways in which Erle's research on William Blake, Physiognomy and text-image relationships have achieved public impact. First, a display and a Scholar's Morning on "Blake and Physiognomy" at Tate Britain (2010-11) and there were also invitations to give public lectures for "Haus der Romantik", a Literature Museum specialising on Romanticism in Marburg (Germany) and for the Blake Society, a London-based but international organisation of Blake scholars and enthusiasts. Second, an online-exhibition on Lord Alfred Tennyson's copy of Blake's Job for the Tennyson Research Centre (2012-13) and a display on Blake, Tennyson and Anne Gilchrist in Lincoln Public Library.
Dr Richard Noakes led `Connecting Cornwall', a project working with the Porthcurno Telegraph Museum (PTM) from February 2009 - July 2012, looking at the lives and careers of the `ordinary' men who operated the Victorian and Edwardian British submarine cable network.
The project was fundamental in building a working relationship with PTM that now paves the way for future research-based collaborations. The exhibition also raised the profile of PTM. A new section of the website was created for PTM, greatly improving its online presence and user experience. Impacts on the public have included providing access to previously unseen archival material, preserving and displaying artefacts of cultural heritage and in educating people with regards to their local history.
The Panacea Society was an inward-looking religious community formed in Bedford in 1919. In 2001 a few reclusive members remained — some of the last representatives of a religious sub- culture dating back to the 1790s. Since 2001, members of the Oxford Faculty of Theology have been instrumental in advising and enabling this Society to evolve from a closed religious group into a charity funding social and educational initiatives and a public museum explaining apocalyptic religion to general audiences. Oxford-based researchers have produced notable academic outputs through discoveries in the Panacea Society archives; findings which shaped and informed the new museum.
Research for the UNESCO trans-national World Heritage nomination of the Silk Roads led to a radical new policy framework for undertaking serial nominations (thematic groups of sites across state boundaries). The `Silk Roads Thematic Study' transformed the attitudes of governments and heritage agencies in the region and had a major impact on conservation, management, interpretation and heritage tourism. This study was supported by a long-term site-specific project undertaken at the ancient city of Merv in Turkmenistan. By developing education strategies with local teachers and transforming national approaches to heritage (through conservation training, management planning, and interpretation) the `Ancient Merv Project' is now an exemplar of best practice throughout the Silk Roads World Heritage Project.
The medieval seals projects have enabled substantial non-academic audiences to engage more effectively with and appreciate more fully the cultural heritage of Britain. There is now a deeper understanding among schoolchildren and adult interest groups (e.g. local history societies) of the importance of seals in medieval culture and their role in establishing identities. The projects have also alerted heritage professionals to the significance of seals as a heritage asset, and developed their skills in preserving and presenting this undervalued resource. In attracting visitors to Wales and the Marches through exhibitions and outreach events the projects have delivered an economic return.
The Dr Williams's Centre for Dissenting Studies, a collaboration between the Queen Mary English Department and Dr Williams's Library, Gordon Square, London, has undertaken a long-term and ongoing programme of funded research projects, public engagement events, and publications in print and online. Dr Williams's Library is a non-HEI (owned by Dr Williams's Trust, Charity number 214926) dedicated to the preservation and study of collections related to the history of Protestant dissent. Prof Isabel Rivers (QMUL 2004-), and Dr David Wykes, Director of the Library, founded the Centre in 2004 because of their mutual interest in the field. The work of the Centre's Queen Mary researchers, including publications hosted on the Centre's website, has enhanced the public profile of the Library, improved its accessibility to the wider public, and transformed the public understanding of the history of Protestant dissent.
The Penguin Archive Project, funded by a major grant from the AHRC [7], produced an online catalogue of the Penguin Collection at the University of Bristol Library (launched in 2011). Penguin Books transformed the range and greatly extended the availability of books to a general readership in the twentieth century. The Penguin Archive located at the University of Bristol can therefore be conceived of as a record of the democratisation of reading in the UK in the twentieth century. As a result of the Penguin Archive Project impact has been realised in three main areas: improving access to the Penguin Archive and making it easier to use for a variety of non-academic users; raising awareness and understanding of the significance of the archive and the rich cultural heritage of Penguin books through public engagement and media activities including a major international conference in 2010; developing collaborative links with Penguin and contributing to their publishing practice. As a result, researchers, editors, authors, publishers and other users such as the Penguin Collectors Society now have access to this major resource.
This creative/critical collaboration sought to reclaim Spenser's The Faerie Queene for today's world, investigating how to remake this religious poem and national epic for diverse audiences and users, and exploring its potential to revivify religion and society, through artistic works and new liturgies. Impact beyond the academy was always at the conceptual heart of the project. Bringing together members of different faith groups, school communities, and cultural practitioners (musicians, puppeteers, poets), it engaged them in debate and sought to produce new cultural forms that would not only contribute to cultural life but affect civil society and public discourse. An unforeseen if powerful impact was a national debate and controversy over deployments of the figure of St George.