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The Records of the Parliaments of Scotland project, completed in 2008, and its subsequent research developments have achieved considerable impact through widening global public awareness of this historical resource. Its free-to-access searchable database is accepted as the definitive point of reference for pre-Union Scottish legislation. The project's materials and findings have had sustained impact on archival, heritage, legal and policy practitioners, providing significant input to a wide spectrum of present-day political, social, economic, environmental and cultural initiatives, from public debate and consultation through to formal enactment. The project has also contributed to the enhancement of the history curriculum in Secondary education.
James Hogg (1770-1835) is an important but hitherto little known nineteenth-century Scottish author and songwriter. In recent years, Stirling research has demonstrably expanded the audience for Hogg's songs and poetry in Scotland, the wider UK, and USA. Contemporary writers and artists have become more engaged with Hogg's work, and among the public this research has generated greater appreciation of the Scottish literary and music tradition in particular, while promoting Scottish cultural heritage in general, at home, and around the world.
The Stevenson project, in collaboration with the National Library of Scotland, has built bridges between general and scholarly readers of a major, popular Scottish author. The project helped to change the ways in which members of the public understand the significance of editorial work and book-history. Providing readers with practical skills with which to approach varying editions of Stevenson's work, it promoted broader understanding of how we encounter the work of major authors. It has also influenced the ways in which the National Library of Scotland (NLS) communicates its central mission to the public, by demonstrating how to expand appreciation not just of literary works themselves but also of the Library's collections and its role in preserving and presenting our literary heritage.
Regional and national audiences have benefited from enhanced perceptions of the linguistic and literary heritage of the West Midlands. Cultural capital has been created by engaging members of the public in the discovery of their linguistic and literary past through their unprecedented access to and understanding of a manuscript written in the dialect of the medieval West Midlands. Increased national interest in the region's cultural heritage has been generated.
Professor Dauvit Broun has shaped the History curriculum for Scotland's schools through his advisory role in the development of the `Curriculum for Excellence', a new national framework that has reinvented Scottish education for ages 3-18. He has set the pace nationally for teacher-academic collaboration through his activities with the Royal Society of Edinburgh (RSE); Scottish History Society; Scottish Association of Teachers of History; the schools Inspectorate; and the History and Social Studies officers in Scotland's curricular and assessment bodies, the Scottish Qualifications Authority and Education Scotland. Through his leadership, a University of Glasgow (UoG) team has established large-scale, systematic knowledge transfer to secondary school teachers and learners across Scotland through tailored events and web resources. The Subject Specialist for History in HM Inspector of Education states: `Professor Broun has been at the forefront of academics extending the reach of universities into school education.'
The Newton Project transforms public understanding of one of the most significant intellectual figures in history. A pioneering initiative that has set international standards for the digital humanities, it provides an open access online scholarly edition of Sir Isaac Newton's complete writings, making available previously unseen material relating to his ideas about science, mathematics and theology. Under the directorship of Rob Iliffe, the Project has reached a wide variety of benefactors, including secondary schools, broadcasters and the performing arts. Through these creative collaborations, it serves as an outstanding resource for the popularisation of scientific thought.
This case study focuses on the impact of research carried out at the University of Cambridge into the history of evolution by Professor James Secord and co-workers, notably the impact of two research programmes: the Darwin Correspondence Project and Darwin Online. These projects have contributed to a substantial reorientation of public discourse on the history of evolution. The impact has been achieved through web resources; museum and library exhibitions; teaching materials for schools and universities; and radio and television programmes. These outputs have encouraged public understanding of the range of contributors to science, including women; an awareness of the diversity of positions in the evolutionary debate; and an appreciation of the complex relations between evolutionary science and faith. The projects have shown that the highest achievements of scholarship can be made freely accessible to a global audience.
Contributing to the preservation of literary materials through innovative use of technology, DMU's Centre for Technology and the Arts (CTA) — subsequently renamed the Centre for Textual Studies (CTS) — pioneered new digital techniques for analysing, editing and presenting literary-historical manuscripts of international significance. These techniques revolutionized the scholarly task of capturing data about manuscripts, permitting new kinds of analyses, editing and dissemination, now widely practised to facilitate public access and cultural enrichment. In particular, the CTA/CTS invented a manuscript description standard taken up by major libraries across the world, the International Standards Organization (ISO) via the Text Encoding Initiative (TEI) and by commercial publishers.
The collective research of Breitenbach, Delaney, Devine, MacKenzie, and Ugolini at the University of Edinburgh since 2006 has had impact in terms of public understanding, policy and museum practice in relation to the Scottish diaspora. Specifically it has: (i) enabled the transformation of public understanding of the emigration history of the Scots (a central part of the history of the nation) as global in territorial spread rather than simply confined to the settlement colonies and the USA; (ii) shaped the development of new Scottish Government policies of engagement with the global diaspora; and (iii) influenced the intellectual underpinning of new and revised national museum displays in Scotland especially in relation to empire and emigration.
The Wars of the Roses and Richard III remain engrossing and controversial after 500 years throughout the Anglophone world and beyond. Hicks and Holford have made a significant impact on public knowledge and understanding of the period's politics and society. Their publications, printed and online, are valuable resources for professional and amateur historians, students and the general public, nationally and internationally. Hicks' Anne Neville underpinned Philippa Gregory's novel, The Kingmaker's Daughter and hence the BBC series The White Queen. The website, blog and twitter, Mapping the Medieval Countryside, are making the inquisitions post mortem (IPMs) much more widely accessible and useful than hitherto.