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Professor Richard Overy's research on key issues of air power history and theory has influenced how both UK and International air forces consider key areas of air power history and their application to current issues of air power doctrine and development. This has been achieved by contributing to the air forces continuing professional development through seminars and lectures to service audiences, participation in RAF history teaching evaluation, publication of key texts on air power issues used in service academies and regular engagement with academic and non-academic audiences on air power history.
Research at Durham University led to an exhibition of contemporary visual art at Cornerhouse Gallery (Manchester) from April to June 2011 exploring the relationship between France and Algeria. New Cartographies: Algeria-France-UK enhanced the understanding of a non-specialist UK audience about a relationship which is historically important for both countries and central to contemporary geopolitics. It helped Cornerhouse pursue its visual arts strategy, and brought economic benefits to the gallery and the wider region by attracting a large audience. It provided the exhibiting artists with opportunities for creative and professional development by commissioning new work or showing work in the UK for the first time. The refusal of an entry visa for one of the Algerian artists became part of a political issue concerning UK immigration policy debated in the House of Lords.
The publication of a book in both English and French versions on this subject led to many media interviews in several countries, wide press coverage in the UK and USA especially, the appointment of Robert Tombs to the Franco-British Council, many invitations to lecture to diverse audiences, and to take part in private discussions and seminars with French and British diplomats. Diplomats, whether French or British, now rarely have more than minimal historical knowledge, and this research enables them to understand the cultural and political ramifications and ambiguities of a relationship central to both countries' foreign policy.
This case study, centring on the work of Dr Harry Bennett, Reader in Military History, demonstrates impact generated out of very wide-ranging research on twentieth-century military and naval history and aspects of government policy over a period of about 20 years. The case reports on the impact of research on naval strategy and operations, including that on the role of the German Schnellboote in World War II, achieved in relation to three key areas: the economic gains from naval heritage, public policy concerning naval heritage, and public engagement with and discourse about these matters, extending from think-tanks to very broad exposure in the media.
In contrast to many European countries, public performance of music in languages other than English is still rare in the UK. French specialist Peter Hawkins has been researching and teaching the genre of chanson as a key element of French popular culture for most of his career. His research has fed into a regular series of public engagement activities over the past decade and beyond, including public performances of French chanson at a variety of venues. In a set of concerts given in spring 2013, Hawkins performed his own English translations of French chansons by the sometimes controversial Monegasque writer Léo Ferré, who is exceptionally well-known in France but much less so in the UK. The aim was to bring this particular type of musical poetry to a non-French-speaking audience. Feedback from the various audiences shows that some 70% feel that singing French chanson in English was a success and significantly extended and enhanced their cultural experience.
Heimann's research findings reveal that the Czechoslovak state, throughout successive political regimes, consistently discriminated against, and often persecuted, its minority populations. Her book launched public discussion about nationalist (ethno-linguistic) chauvinism in Central Europe. Her research has changed perceptions of the Czechoslovak state as having been more liberal and tolerant than its Central European neighbours. The research was disseminated through: book sales (three editions); internet serialisation; a Czech World Service documentary; newspaper and magazine feature articles; blogs; radio and press interviews; public lectures (e.g. at the Slovak Embassy and to Czech and Slovak charities); public policy symposia (e.g. with the Czech, Slovak, Hungarian, Polish and Slovenian ambassadors to Britain and a former US Secretary of State); internet discussion groups; a BBC Radio 4 play; book reviews; discussion in the National Theatre in Prague as part of the Prague Writers' Festival 2013; and 2-hour panel discussion with the former Prime Minister in the Czech Parliament (Senate) shown live on Czech TV.
Christopher Duggan's research at the University of Reading into Italian history since the French Revolution has tackled a number of themes relating to the development of the Italian nation-state, and has contributed, in ways that are exceptional for an academic historian, to debates about the country's `national identity'. These debates have become intense with the political and economic crisis that has engulfed the country in recent years. The arguments around Duggan's work have involved leading politicians, journalists and members of the general public, and have taken place in many different media and forums, including television, radio, newspapers, schools, and public meetings.
The research examined the causes, events and public memory of the violent repression of a peaceful, pro-independence demonstration of 40,000 Algerians in Paris (17 October 1961). Initially covered up, these events resurfaced to become one of the most controversial episodes in Franco-Algerian history, formally recognized by the French state in 2012. This project's key impacts have been on civil society and public discourse in France and Algeria, changing and increasing both public understanding and visibility of the massacre. Further important impacts were enhancing inter-ethnic and inter-generational understanding and citizenship, by providing social knowledge to campaigning groups, as well as enabling former demonstrators to speak publicly.
Professor Andrew Hussey's research focuses on extremist tendencies in French 20th-Century Literature, from Céline, Bataille, Houellebecq to the Situationists, the Lettrists, and their interrelation with Anglo-American Counter-Cultures. As an essayist, broadcaster and public speaker, Hussey communicates this research far beyond academic audiences to reach a general public through his engagement with French culture and its relation to the English-speaking world. His work has led to debate about the contemporary significance of French language and culture in the 21st century. A significant dimension to such impact has been its influence on the broadcast and print media, as evidenced in the range of broadcast, internet and print media where this research has been disseminated.
Other members of staff have also been involved in this activity — most notably Dr Anna-Louise Milne whose research focuses on the French avant-gardes and expatriate writing in Paris. Milne has been involved in disseminating her research in the French broadcast media and schools in the Paris region.
The French currently constitute a significant presence in London, yet there is little consistent research into their experiences, or the development of this presence. This is a ground-breaking study heralded by the French Embassy/Consulate, and used by the constituency office of the French MP for Northern Europe and the London Section of the French Socialist Party, and the British Library (for inclusion in the UK Web Archive). It has attracted considerable media and popular interest, notably programmes for French Radio London, and at the Bankside Bastille Day Festival. The research assesses the motivations, experiences and occupations of London's French residents, both historically and today, and their contributions to culture, society and business.