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This research in Libya has had several significant impacts with wide reach for a range of different groups, both national and international. It has made fundamental contributions to the archaeological mapping of Libya (a country of extraordinary archaeological richness but still poorly recorded), to the development of typologies of sites and artefacts, and to dating frameworks. This has delivered major related impacts for management of cultural heritage by the Libyan Department of Antiquities (DoA), and for Environmental Impact Assessment (EIA) and archaeological mitigation work by oil companies in the Libyan desert. There have been additional benefits through dissemination of new historical models, as well as protection of heritage sites during the 2011 conflict.
Simon Goldhill's research on the history and archaeology of Jerusalem led to his being asked to join the EU-funded programme Promoting Understanding of Shared Heritage (PUSH). The aim of the project is to develop a new policy on sites of shared cultural heritage, in which capacity Goldhill has met regularly with — and been able to influence — Israeli, Jordanian and Palestinian policy-makers. This influence is manifested in a rapprochement between groups who had previously been unable to meet; new signage at significant sites across Israel/Palestine and Jordan; and continuing interaction particularly on the crucial area of the management of natural resources.
This research has had transformational impacts: systematically providing evidence of the state of cultural heritage policies concerning nine countries in South East Europe; identifying the need for management tools to integrate inventories, environmental and spatial planning, heritage protection and funding mechanisms for projects to enable sustainable use of heritage resources; helping shape a Council of Europe regional programme; creating the framework for legal/administration reform requests by the states concerned; and has led to technical assistance actions, jointly funded by the Council of Europe and the European Commission, including monitoring to ensure the institutionalisation of methodologies in national policies and strategies.
Kyriakidis's research has had impact on policy-makers within both national and local government. This has involved a scaling up of his impact activities that were based in Gonies (Crete) to include both national policy-makers and international organisations. As a result, he has become an influential international authority on the development of greater public engagement with heritage sites (including Pompeii), and on public policy in Greece. His research has resulted in a shift in policy at the Athens University of Economics and Business, which now engages with the provision of training in Heritage Management and is branching out from exclusively finance-based education. His CPD (Continuing Professional Development) courses have reached out to the commercial sector (particularly Leica).
Bangor's research into Austrian archaeology has since 2008 resulted in significant impacts on Austrian archaeological heritage management, the archaeology labour market, and relationships between archaeologists and metal detectorists. Specifically, the National Heritage Agency (Bundesdenkmalamt; `NHA') has made significant changes to its policies, especially putting contracts to tender and introducing the first minimal standards for archaeological excavation, following a ministerial edict to change contract awarding practices. Recommendations on minimum salary levels for specific responsibilities in archaeological fieldwork have largely been adopted. The issue of how best to regulate metal detecting is being discussed on a national scale and attitudes towards detectorists are undergoing substantial change.
Professor Paul Heritage joined QMUL in 1996. His research over the last two decades has opened up new understandings of Brazil's transformative arts practices within the UK cultural sector. Through practice-based projects, his research continues to deepen and extend the understanding of innovative Brazilian arts practices in Britain. Heritage has forged new opportunities for UK arts practitioners to develop their work in Brazil and shaped new policy exchanges between ministerial/governmental and non-governmental organisations. His research engages with a diverse range of artists and cultural institutions, reaching over 50,000 people in the period since 2008 via performances/screenings/seminars/exhibitions/events. Through disseminating research into Brazilian culture policy and practices that have responded to extreme social crises, he has strengthened the British cultural sector's confidence in using art in the advancement of social development.
This case study describes the pioneering work undertaken with the Sultanate of Oman government to develop appropriate approaches towards sustainable documentation, management and renewal of 86 priority heritage sites of its 1000-plus vernacular settlements. Approaches established through a pilot project - now extended to 9 settlements (5 completed) including 3 World-Heritage- Sites - are helping Oman achieve a cohesive strategy and have instigated a thorough revision of the priority list. Wide-ranging stakeholder engagement was achieved through exhibitions, public lectures, workshops, press interviews (Arabic/English) and heritage-related film-production. The continued `capacity building' and employment of young graduates through skills development training has provided the social enterprise dimension.
A programme of research conducted by The Centre for Maritime Archaeology (CMA) at the University of Southampton has influenced, at a national and international scale, the management and protection of underwater and coastal heritage. The research has directly influenced public policy, nationally through the English Heritage Maritime and Marine Historic Environment Research Agenda, and internationally by underpinning primary legislation and current practice in Uruguay. Capacity building has resulted in new educational infrastructure, the Centre for Maritime Archaeology and Underwater Cultural Heritage (CMAUCH) in Alexandria, Egypt, which has changed attitudes towards maritime heritage throughout the region.