Summary of the impact

This case study describes the impact generated by new thinking on the representation of the foreign in translation for the theatre. The main beneficiaries of the research are theatre audiences across the English-speaking world, as well as theatres, theatre companies and publishing houses. As a result of the project's insights into localisation and performability, theatre audiences have benefited from intellectual and imaginative engagement with a more authentic and lucid interpretation of Hispanic theatre and culture that challenges their own cultural values. The work has also contributed to the creative economy through the generation of income from the stage productions and the publication of translations.

Summary of the impact

Research undertaken at the University of East London has confronted the historical lack of documentation, representation and participation in the British theatre by ethnic minority communities, with particular reference to the British Asian community. This work has been used to create and shape the production of important new theatre pieces, as well as to engage and develop new young and diverse audiences for them. Workshops, post-show discussions and symposia relating to the production of these pieces have increased the engagement of these new audiences both with theatre generally, and with the often sensitive, contested, and politically-charged subject-matter of the specific pieces under review. The research has also been used as the basis for the development and delivery of professional development training for emerging theatre artists from minority community backgrounds.

Summary of the impact

Professor Okagbue's research into modern African theatre, diasporic performance and post- colonial possibility has had impact in African and British communities and in the world of theatre. Founder and first President of the African Theatre Association (AfTA) 2006-2012, Okagbue has built networks between African and UK practitioners and local Black communities through projects, including the Sameboat anti-slavery memorial project 2007-9 and the AHRC-funded research project Beyond Linear Narratives at the Pinter Centre, Goldsmiths, for which he was co-investigator. An important impact of this work has been the success of new diasporic writing and performance, including playwrights directly mentored by Okagbue.

Summary of the impact

Allan Owens has worked worldwide to bring drama into the professions. He has developed an artistic form that has impacted in a wide range of contexts including the social sector, in education, health, and public service, and also in private business. The trajectory of his research and practice has been concerned with pioneering the use of pre-text based process drama as a form of artistic initiative beyond mainstream education. The underlying research consists of authored articles and pre-texts which were part of the 2008 RAE submission classed as `internationally recognised with world leading elements'.

Summary of the impact

The research and the practice methodology that underpin the emergence of the responsive play scripts, alongside the performances of the plays, have had the following impacts:

b) Communities, the General Public, Audiences — restoring, and increasing opportunities for audiences disenfranchised from access to locally generated performance by Chester's Gateway Theatre's closure (2007), to see and/or participate in performance events of high professional standard and thereby engage with local narratives and histories

c) Local theatre professionals — restoring and increasing employment opportunities, and broadening skill sets appropriate to non-traditional performance contexts

Reach: theatre audiences: 7,480; audiences at outdoor events: 27,000.

Significance: evidenced by repeat commissions for playscripts and touring productions.

Summary of the impact

The range, quantity and quality of Hispanic theatre production, film exhibition and cultural understanding in the UK has been significantly enhanced by the research on Spanish-language stage and screen cultures by Professor Maria Delgado (at QMUL since 1997). The body of knowledge she has generated has led to significant impact in three key areas: i) opening up public discourse on Hispanic cultures; ii) improving the programming and circulation of Spanish-language theatre and film; and iii) contributing to creative and economic prosperity through consultancy and advocacy in the creative industries in the UK and Spain.

Summary of the impact

Professor Rebellato's research has been a significant factor in the revival of Terence Rattigan's reputation as a serious playwright, impacting on a wave of high-profile productions from 1998-2013. He has impacted on two groups of beneficiaries identified in the Department's Impact Strategy:

1. Professional theatre-makers: His scholarly editions of Rattigan's plays used by actors and directors for performance. He contributed directly to the National Theatre's decision to revive one of Rattigan's least-known plays;
2. Theatre audiences and members of the public: Rebellato's many public talks, programme notes, appearance on broadcast media have helped shift the critical reception of Rattigan's plays.

Summary of the impact

Laura Bradley's research on GDR theatre censorship (2006-) enabled the University of Edinburgh to stage The Stasi are Among Us at the Glasgow Film Festival (2011). This two-day event increased public understanding of East German culture, showing how artists participated in censorship and how it affected their working lives: 95% of the audience agreed that they had learned more about GDR culture and/or censorship. The event's success led the Glasgow Film Festival's Artistic Director to choose Germany as the country focus for the 2012 Festival. Bradley has collaborated with Theatre Found on events campaigning against present-day censorship in Belarus and Iran, using the recent East German experience to explore control mechanisms and show how they were abolished.

Summary of the impact

Exeter Drama's research in Applied Theatre has had impact in the improvement of community understandings of mental health, providing professional development for medics and teachers, and providing and informing training in applied and community theatre. This case study outlines the impact of last twenty years of research and performance practice in applied theatre, developed by Honorary Research Fellow (2005-) and former senior lecturer (1990-2005) John Somers, and continued in the work of Fiona MacBeth, Kerrie Schaefer, Sarah Goldingay, Anna Harpin, and Jane Milling. Somers developed new approaches to community theatre and has given presentations on this work internationally. Impact has also been achieved through Somers' founding of the applied theatre company Exstream (Exeter, 2001) and under his direction Exstream achieved a reputation for excellence through the development of interactive theatre, raising awareness of issues related to wellbeing, mental health, and creativity within the community.

Summary of the impact

RBC has a long-standing relationship to this area of practice, culminating in the establishing of its Theatre for Young Audiences Centre, April 2011. The research outlined has had an impact on professional practice, international co-operation, training and critical approaches in this under-investigated area of practice. The Lead Researcher/Head of Centre, Jeremy Harrison (JH), built on the work of Julian Bryant, Director of Community Outreach, whose activities in this area began in the 1990s. It is augmented and strengthened by contributions from a range of Associate Researchers all of whom are leading practitioners within the TYA sectors of UK and Europe. TYA Centre website: bit.ly/IgVmcw