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As a consequence of individual and collaborative research on the 1962 International Writers' Conference, Drs Eleanor Bell and Angela Bartie (UoA 30) contacted the Director of the Edinburgh International Book Festival in 2010 with the idea of marking the 50th anniversary of this famous literary event. Acting as academic advisors to the project over three years, the work of Bell and Bartie has been publically acknowledged as providing the spark of inspiration for the establishment of Edinburgh World Writers' Conference 2012-2013, a hugely successful series of worldwide events visiting 15 countries, the global discussion representing `the greatest gathering of writers' voices ever staged' [Source 1]. Impact can be traced through three main channels: the cultural benefits to audiences in each host city (and worldwide via social media), the creative benefits to the writers directly involved (262 to date in July 2013), and the economic benefits to UK society and other host countries around the world.
Research undertaken by Professor John Holden of City University London on cultural diplomacy and cultural value has had a direct impact on cultural policy-makers both nationally and internationally. In the UK it has impacted specifically on the funding of cultural diplomacy activity and the operations of Arts Council England and the Department for Culture, Media and Sport. Internationally advice has been sought by politicians and cultural administrators around the world including the Chief Executive of the Ministry of Culture in New Zealand, Alberta's Minister of Culture and the Chairs of the main cultural organisations in Hong Kong. Through this, Holden has: (i) provided expert advice to governmental, third sector and private organisations in relation to cultural policy; (ii) influenced directly the thinking of senior government ministers in relation to arts and culture; (iii) proposed new ways of thinking about the methods and mechanisms by which culture and creative practice are supported through the distribution of public funds; (iv) contributed to the enhancement of frameworks supporting the creative industries, which in turn has aided economic prosperity for a range of individuals and organisations; and (v) helped creative industry professionals and those who support them to adapt to changing cultural values.
Dr Chandler's publications have been extensively used and discussed nationally and internationally by Church leaders, politicians, journalists, public intellectuals, clergy and laity. They provide informed historical context for discussion of contemporary religion and offer a site for new associations and interactions. They have also impacted on the public commemoration of historical figures who have achieved an international reputation for the religious and moral significance of their life and work. Chandler is Reader in History at the University of Chichester where his position is co-funded by the Chapter of Chichester Cathedral to support his directorship of the George Bell Institute. His research focusses on the importance of national and international politics in the modern British churches, Anglo-German Church relations and ecumenical dialogues more generally.
Dr Paul Chirico's research has directly shaped the work of the John Clare Trust. Dr Chirico has played a leading role in the work of the Trust, which he founded in 2004 with a view to the purchase of the poet's birthplace in Helpston, near Peterborough. Through the John Clare Cottage and the work of the Trust on which it depends, he has since 2008 achieved direct impact on the conservation, preservation and understanding of culture. He has had an impact on education through the materials he has developed for visitors to the Cottage, both school parties and the general public.
This case study focuses on impact achieved through the public engagement programme of the Sheffield Hallam University (SHU) Readerships and Literary Cultures 1900-1950 Special Collection. This collection, of 1000 early editions of popular fiction, was initiated by English academics and Information Specialists in 2009, and stemmed from research into popular fiction, readerships and hierarchies of literary taste. The programme has specifically:
Professor John Tomlinson produces world-leading research on the cultural dimensions of the globalization process. His research findings influence policy at an international level, shape professional and public understanding of the consequences of globalization and encourage public debate about international cooperation. Tomlinson has acted as a consultant to national and international bodies including UNESCO and the BBVA Foundation (Banco Bilbao Vizcaya Argentaria) in Madrid, influencing their thinking, policies and practices. He has shaped cultural practitioners' understanding of the cultural consequences of globalization through presentations to cultural bodies such as Impakt Arts Festival Utrecht and the Royal Institute of British Architects (RIBA).
As little as two decades ago, the notion of comics, graphic novels or bande dessinée (BD, French-language comic strips) as an academic field of study would have seemed unthinkable. Following Glasgow-led research and teaching, the study of BD has been accepted as a discipline worthy of intellectual engagement, with BD courses and modules adopted in around 20 universities across the UK, Europe and North America. This unique art form and cultural output has also been brought to a much broader public via exhibitions, conferences and media debate, with the emphasis on BD as a social mirror for which the historical context is key. Glasgow University's expertise in the study of Early Modern emblems, and its Stirling Maxwell Centre for the Study of Text/Image Cultures, has played a key role in establishing an intellectual and social link to today's French-language comic strips and graphic novels.
From 2002 the Centre for the Study of World Christianity (CSWC), formerly Centre for the Study of Christianity in the Non-Western World (CSCNWW), at the University of Edinburgh established an action research process which culminated in the establishment of nine international study groups from 2008-10 leading to the international conference `Edinburgh 2010', a major ecumenical conference with delegates from 115 Christian denominations. This conference, livestreamed around the world, marked the centennial of the Edinburgh World Missionary Conference 1910 (EWMC 1910). Drawing on its research on EWMC 1910, CSWC established an international process of knowledge co-creation involving and benefitting churches, church leaders, clergy, laity, ecumenical and mission organisations, as well as scholars of Christian mission and Christian history. The project has led to increased understandings of Christianity as a religion of the global South as well as North, and a reinvigoration of global ecumenical partnership in mission reflecting this understanding, as evidenced in form of impacts on theological education at the global level.
Established in 2003, Queer@King's provides a focus for queer studies research and a meeting place for queer scholars and wider LGBTQ communities, including activists, artists, advocates, curators, performers, school educators, and writers, in which to share ideas and shape public discourse. Through Queer@King's, academics have enhanced queer life and civil society in London, and developed a remit around cultural production and advocacy that is both national and international. Impact includes shaping public discourse and informing public understanding about queer histories; challenging dominant assumptions about sexual minority lives, including those of transsexuals; and informing educationalists and law makers. Submitted projects relate to the research of Prof. John Howard, Dr. Robert Mills, and Prof. Mark W. Turner.
Research into publishing at the Scottish Centre for the Book (SCOB) based at Edinburgh Napier University has examined the strategic development of publishing in Scotland and, in a significant expansion of this work, its nature within small nations and national regions. This established a new perspective for a field that had hitherto focussed on the UK or transnational, and fed into public policy and the operations of publishing companies within Scotland. SCOB, in partnership with public and private bodies, has raised awareness and understanding of the nature, role and value of publishing in Scotland among government, policy-makers and the public.