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The University of Oxford is a leading centre for research in opera and music theatre, where the work of musicologists and practitioners intersects to mutual benefit, and outputs have attracted the wide attention of new audiences well beyond the academic community. Oxford Opera encompasses a broad historical range, but shares a set of common aims and objectives: exploring new and historical modes of performance and realisation; challenging received operatic conventions and performance traditions in a scholarly and creative manner; and disseminating research results to new listeners through professional collaborations. Young people, the general public, and other professional practitioners have all been beneficiaries.
Christopher Duggan's research at the University of Reading into Italian history since the French Revolution has tackled a number of themes relating to the development of the Italian nation-state, and has contributed, in ways that are exceptional for an academic historian, to debates about the country's `national identity'. These debates have become intense with the political and economic crisis that has engulfed the country in recent years. The arguments around Duggan's work have involved leading politicians, journalists and members of the general public, and have taken place in many different media and forums, including television, radio, newspapers, schools, and public meetings.
Cultural studies at Middlesex has often exemplified the New Left tradition that played an important role in founding the discipline. It sees cultural research as part of a broad continuum informing and shaping political debate, policymaking and civic education. Facilitated by a series of e-publications, public events and other activities, many associated with the journal Soundings, and working with organisations such as the Guardian, Oxfam, Friends of the Earth and the Labour Party, this research has had a demonstrable impact on issues of intergenerational politics, ethical consumption and the role of identity in new political formations. Key beneficiaries are charities, NGOs, political parties, think tanks and members of the general public.
University of Huddersfield research into intercultural exchange and cultural constructions of identity has led to technical innovations in composition and performance, giving vibrancy to work that has been taken up by some of the world's pre-eminent orchestras and soloists and so reaching a broad international audience. These studies have contributed to the policy work of an international think- tank, Cologne's Akademie der Künste der Welt, leading to greater participation in the arts among youth and artists from disadvantaged communities, and have also benefited Australian secondary school students in bringing a discussion of Indigenous culture into curricula in creative composition.
Professor Sinclair's project on `Wrongdoing in Spain 1800-1936' explores the difference between cultural representations of wrongdoing and their underlying realities, and includes the digitization and cataloguing of c4500 items of popular Spanish material held at the University Library, Cambridge (UL), and the British Library (BL). This contributes significantly to the conservation, stewardship, and enhanced accessibility of this ephemeral material, increasingly valued and recognized as important in Spain as part of its social history and heritage. Digitization also makes this fragile material available to support teaching. An exhibition of this material and comparable material in English runs at the UL, Cambridge April — December 2013, strongly supported by a virtual exhibition. Public engagement events extend the understanding of the relevance of this material to modern Britain.
The impact of Natalia Sobrevilla Perea's research on Peruvian political history has been to transform the public understanding of the importance of constitutions and elections in the search for political legitimacy in Peru. This impact has been achieved through engagements in the media (public online discussions, public presentations, and newspaper articles), as well as through a two-phase British Library-funded project to catalogue and digitize newspapers held in provincial Peruvian archives. The reach and significance of the impact achieved by Sobrevilla Perea's research is evidenced by her being identified in the 3 March 2012 issue of Revista Somos (the Saturday supplement to the Peruvian newspaper El Comercio) as one of the eight most influential new voices commenting on, and contributing to, national debate in Peru.
The research project `The Cult of the Duce: Mussolini and the Italians 1918-2005' has facilitated a better understanding of fascism and its legacy by challenging preconceptions about Benito Mussolini and examining the legacy of his leadership `cult' in Italy and beyond. The project achieved impact on CULTURAL LIFE through collaboration with a professional curatorial team in an exhibition at a significant UK gallery, the Estorick Collection of Modern Italian Art in London, engaging in the process with a wider, non-academic audience. The project's public engagement activities and the production of teaching resources in a variety of media have also had an EDUCATIONAL impact, improving public awareness of the propaganda strategies of Fascism.
The AHRC-funded project, `The Cult of the Duce' conducted the first multi-faceted analysis of the genesis, functioning and decline of the personality cult of the Italian dictator Benito Mussolini, with an emphasis on the role of visual imagery in sustaining his authority. By staging an art exhibition in London, the research introduced little-known twentieth-century Italian anti-Fascist artwork to British audiences which illustrated the importance of manipulating visual imagery for political authority. 3 documentary films were made about the research which were shown publicly but have been primarily used as a teaching aid to enhance learning of Fascism and Italian culture and history in HEIs and FE colleges around the world. Lastly, the research has provided the historical context underpinning the conservation of built heritage and tourism in the province of Forli, Italy, where Mussolini was born.
The impact of the Lectura Dantis Andreapolitana (LDA) on a wide and varied public is primarily cultural and social. The lecture series in St Andrews presents the newest academic research on Dante's Divine Comedy directly, significantly increasing public understanding and appreciation of this key part of Western cultural heritage. Video recordings of the lectures on the website extend the geographical reach of the impact globally. Complementary events invited the public to reflect on and engage with aspects of contemporary society in the light of Dante's ideas about good and evil. Collaborations used research on Dante to inform artistic reflection.
Roger Parker's case study involves his critical edition of Donizetti's opera Le Duc d'Albe, which was given its world premiere at Vlaamse Opera (Belgium) with an international cast in May-June 2012. This edition made available to the public, for the first time, what is in effect a new Donizetti opera, never before (even in the composer's lifetime) performed in its original language and in this particular configuration. The impact of the performances is demonstrable in international reviews and in the fact that a commercial recording of the opera is now planned (by Opera Rara of London).