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The Beazley Archive Online Database enables large and diverse audiences to access and understand ancient art through Oxford research. It allows users around the world to ask and answer their own research questions and to learn about ancient imagery. It is principally dedicated to the study of ancient Athenian figure-decorated pottery and ancient/neo-classical engraved gems. It makes available hundreds of thousands of pictures and information-fields which can be browsed and searched in a variety of ways, according to the level and requirements of the user. The Database is the foremost academic tool for the study of ancient Greek pottery, but its demonstrable impact extends far beyond academia, to an international audience of students, educators, museums, businesses, and private researchers.
The University of Reading's Henslowe-Alleyn Digitisation Project (H-ADP) resulted in the development of a free electronic archive and website (www.henslowe-alleyn.org.uk) concerning the single most important collection of papers on English theatre history and performance in the Shakespearean era. Launched in 2009, the resources, which comprise 2,000 pages of unique manuscript records and 15 digital essays based on original research by leading scholars, have been widely used by academic and non-academic users, broadening their awareness of and access to key literary and cultural texts. Together they attract some 27,000 hits and over 2,000 visitors a month.
Researchers at Ligatus have developed new methodologies for recording historical evidence in books and documents. These have altered the way conservators, historians and archivists work and improved the care of world cultural heritage. Their work has impacted on a range of public and private institutions and included cultural managers, museums and galleries, and libraries.
The Penguin Archive Project, funded by a major grant from the AHRC [7], produced an online catalogue of the Penguin Collection at the University of Bristol Library (launched in 2011). Penguin Books transformed the range and greatly extended the availability of books to a general readership in the twentieth century. The Penguin Archive located at the University of Bristol can therefore be conceived of as a record of the democratisation of reading in the UK in the twentieth century. As a result of the Penguin Archive Project impact has been realised in three main areas: improving access to the Penguin Archive and making it easier to use for a variety of non-academic users; raising awareness and understanding of the significance of the archive and the rich cultural heritage of Penguin books through public engagement and media activities including a major international conference in 2010; developing collaborative links with Penguin and contributing to their publishing practice. As a result, researchers, editors, authors, publishers and other users such as the Penguin Collectors Society now have access to this major resource.
University of Glasgow research has delivered an online, searchable and fully annotated database providing unprecedented access to a comprehensive collection of etchings, drypoints and mezzotints by James McNeill Whistler (1834-1903). Access to over 5,000 images of 490 etchings and their copper plates accompanied by all documentary or published records has transformed understanding of Whistler's art and his techniques. This catalogue raisonné has received over 27,000 visits each month since it launched in October 2011 and is used by artists, curators, art critics and collectors, auctioneers and others in the UK and abroad. Consultations sparked by the catalogue's profile and authority have resulted in the authentication of key Whistler works for purchase at auction houses, including Sotheby's and Doyle's, and input to exhibitions in the UK and abroad.
Mass Observation has encouraged public participation in the creation of knowledge since 1937 and pioneered the dissemination of social research to a mass audience. Active collaboration between Sussex historians and the Mass Observation Archive continues to shape popular understandings of modern British social history, specifically through work with the media. This partnership has also created an Open Educational Resource through which the public can gain a hands-on understanding of the very recent past. Working with the Mass Observations Project, Sussex academics encourage `ordinary' people to write directly about their lives within a structured environment, creating historical sources for the future.
Research at Sheffield has led to international cultural and conservation impact, as well as commercial impact in the UK. Two free international exhibitions designed to attract visitors of all ages and nationalities (Royal Armouries 2007/08, 20,000 visitors; and Musée national de l'Armée, Invalides, Paris (2010, 80,000 visitors) were underpinned by research on illuminated manuscripts of Jehan Froissart's Chronicles of the Hundred Years' War (covering the years 1325-1404). The exhibitions were inspired by the desire to raise awareness, regionally and nationally, of the culture of the Book and of Franco-English relations in the later Middle Ages. Miniatures from the manuscripts depicting key events were displayed alongside items selected from each country's national collection of arms and armour; interactive displays showed how the manuscripts were copied and illustrated. The research enabled an SME to be launched and opened up new access to major aspects of French cultural heritage whilst enabling the preservation of the originals' integrity, part of the intellectual and artistic patrimony of Western Europe.
Edinburgh research has played a central role in the development of Tuberculosis (TB) control policy in South Asia in general, and in Nepal in particular, with specific impact in placing patient- centred approaches at the heart of health policy. This has taken the following main forms: