Log in
Challenging simplistic depictions of Ireland's revolutionary past, Fearghal McGarry's research has facilitated greater public understanding of the causes and consequences of political violence in Ireland. Through impacts arising from an innovative collaboration with a documentary film-maker, as well as through the influence of his research on public discourse, cultural life, civil society and education, McGarry's work has enhanced public understanding by extending the range and quality of historical evidence, contributing to a more meaningful public engagement with both history and commemorative processes within the context of post-conflict Northern Ireland and the current `decade of centenaries'.
From 1995 Professor Munjiza's research at QMUL has led to the development of a series of algorithms which can predict the movement and relationship between objects. These algorithms have been commercialised by a range of international engineering and software companies including Orica, the world's leading blasting systems provider (via their MBM software package), and the software modelling company, Dassault Systems (via their Abaqus software). Through these commercialisation routes Munjiza's work has generated significant economic impact which is global in nature. For example, his predictive algorithms have enabled safer, more productive blast mining for Orica's clients — in one mine alone, software based on Munjiza's modelling approach has meant a 10% increase in productivity, a 7% reduction in costs and an annual saving of $2.8 million. It has also been used in Dassault Systems' Abaqus modelling software, which is the world's leading generic simulation software used to solve a wide variety of industrial problems across the defence, automobile, construction, aerospace and chemicals sectors with associated economic impact.
The impact claimed in this statement comes from the composition and performance history of Fantasias by Julian Anderson, a major work for large orchestra composed in 2009. Three key spheres of impact are noted: first, improving the technical and expressive abilities of seasoned and young professional musicians through the preparation and performance of a challenging piece of contemporary music; secondly, drawing a wider audience than that which normally listens to uncompromising contemporary music; and lastly, supporting young composers by the involvement of Fantasias' composer in various bodies concerned with new music.
Polar research at SPRI has been made accessible to wider audiences through the Polar Museum, which is unique as Britain's only museum dedicated to the Arctic and Antarctic. The Museum's formal plan has at its core the use of displays to communicate SPRI's research findings to a general, non-specialist audience; for example, showing the public how this research is deepening the understanding of environmental problems such as sea-level rise. A complete redesign in 2009- 10 utilised SPRI research in polar science and humanities to underpin museum displays (which had previously related only to polar exploration) and to project the significance of the rapidly changing polar environment — climatic, social and cultural — to a diverse audience (c. 50,000 in 2012) with international reach. Research is communicated through captioned museum exhibits, interactive screens and audio-guides, talks and tours, and Internet resources. Wide secondary reach includes substantial media coverage in newspapers, TV and radio. The Polar Museum was shortlisted for the Art Fund's prestigious Museum of the Year Award in 2011 and for European Museum of the Year in 2012.
Pioneering research led by the University of Aberdeen has directly resulted in the development of an investigational medicinal product for the long-term management and prevention of Alzheimer's disease, breaking new ground in the search for effective Alzheimer's treatments. Although not yet commercially available, this drug has already benefited more than 100 patients and their families. A new spin-out company created to develop the drug has created new jobs and attracted more than US$335 million in investment since 2008. Extensive media coverage of the research has generated increased public awareness of the disease and Aberdeen's cutting-edge research and ability to raise investment. The claimed impact is therefore that a new spin-out company was formed; investments from and collaborations with industry in research and development were generated; and new employment created.
In contrast to many European countries, public performance of music in languages other than English is still rare in the UK. French specialist Peter Hawkins has been researching and teaching the genre of chanson as a key element of French popular culture for most of his career. His research has fed into a regular series of public engagement activities over the past decade and beyond, including public performances of French chanson at a variety of venues. In a set of concerts given in spring 2013, Hawkins performed his own English translations of French chansons by the sometimes controversial Monegasque writer Léo Ferré, who is exceptionally well-known in France but much less so in the UK. The aim was to bring this particular type of musical poetry to a non-French-speaking audience. Feedback from the various audiences shows that some 70% feel that singing French chanson in English was a success and significantly extended and enhanced their cultural experience.
Research led by Dr Stuart Raleigh at the University of Northampton's School of Health, in collaboration with Professor Malcolm Collins of the University of Cape Town, has identified genetic variants that predispose professional athletes and keen amateur sports persons to soft tissue musculoskeletal injuries. The genetic variants are particularly associated with damage to the Achilles tendon and rupture of the anterior cruciate ligament, one of the four main ligaments in the knee.
The findings have led to tests that can identify individuals with these genetic variants. The tests have been commercialised through four international patents. They are used, together with information on lifestyle and level of activity, to assess a person's risk of injury. Armed with this knowledge, individuals can change their lifestyle to prevent possible injury. Reducing injuries would reduce the cost of care.
The virtual water concept is used to identify and quantify water use which is hidden, or embedded within the production and supply of food and other commodities. Its primary application has been to demonstrate that the majority of water consumed globally is used within the production and trade of food. Introduced and developed by Allan, virtual water research has transformed public and private sector water policy and its metrics in the UK and internationally. Instantiated through conceptual work published in 1993 and 1994 and developed through empirical studies thereafter, virtual water was widely adopted by 2000. The idea is now accepted as an essential element in the framing of policy on water security and its economic systems. Virtual water has been increasingly deployed by advisers to governments, corporations and NGOs, below we provide evidence from the U.S. State department, Coca Cola, WWF and the World Economic Forum, this is by no means a complete list. In 2011 the UK House of Lords and UK government's official response urged the EU Commission to incorporate virtual water in EU Policy. In recognition of the global conceptual impact of virtual water, Tony Allan was awarded the Stockholm Water Prize, 2008. In 2013, in recognition of impact made in preceding years through his virtual water concept and research Allan was also awarded the Foundation Prince Albert II de Monaco Water Award and the International Environmentalist Award of the Florence-based Fondazione Parchi Monumentali Bardini e Peyron.