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Birkbeck's Centre for Nineteenth-Century Studies (CNCS) has pioneered a reassessment of Victorian sentimentality, prompting the rethinking of a maligned cultural phenomenon. Its major impacts include contributions to understanding Dickens's life and writings, exemplified by the success of Dickens Day and Slater's publications; and two recent exhibitions. `Victorian Sentimentality' (commissioned by Tate Britain, 2012) and `Touching the Book: Embossed Literature for Blind People in the Nineteenth Century' (with the support of RNIB and funded by the Heritage Lottery Fund, 2013), illustrate how CNCS has played an influential role in re-shaping public understanding and reception of Victorian literary and visual culture.
The impact of Furneaux's research on Dickens is two-fold: she has enhanced public understanding of a major cultural icon, but also of the ways in which an earlier period may shape or challenge pressing social issues in our own time. Her work on gender, sexuality and domesticity has encouraged popular re-evaluations of Dickens's legacy, particularly his reputation as the eminent author of conservative `family values', and has informed audiences' perceptions of what constitutes a family both in Dickens's work and in the early 21st century.
During the 2012 Dickens bi-centenary alone, Furneaux engaged in dialogue with 25,000+ Dickens enthusiasts through projects including a Facebook reading group, a blog, a schools' resource, workshops and talks, and she presented new perspectives on Dickens in various media. Furneaux and her AHRC-funded CDA student, Catherine Malcolmson, have also worked closely with the Charles Dickens Museum (CDM) in generating income for the Museum and shaping its engagement with new audiences.
Robert Douglas-Fairhurst has been credited with enabling a `reinvention' of biography. His studies of Charles Dickens and 19th century London have been communicated to a diverse audience in the UK and worldwide through his work as a biographer and an advisor on highly regarded TV adaptations of classic novels. His contributions to events marking the bicentenary of Dickens's birth include advising on BBC1's 3-part adaptation of Great Expectations (2011), assisting with sound historical and creative interpretation to support the film's educational, cultural and market value. Wider public understanding of the life and motivations of Dickens was achieved through various means including television and radio appearances, newspaper articles, blogs, podcasts, and public speaking engagements.
John Bowen's research discoveries and arguments about the interaction of autobiography and fictionality in Dickens's writing challenge and extend scholarly perceptions of this major culturally iconic figure and provide the basis for bringing a new Dickens to 21st-century publics. He has used his research deliberately to shape the way Dickens is presented by key cultural institutions. Direct beneficiaries of his research have included the Dickens Universe, the British Library, the Museum of London and the media. He has worked with these institutions to ensure the wide UK, European and American reach of the impact of his research.
Deborah Wynne's research into nineteenth-century literature's engagement with material culture is internationally recognised. Her latest work on textiles underpins the Textile Stories Project, a celebration of the rich heritages of fabric, fashion and costume, particularly in literary contexts. The project is designed to appeal to members of the public with an interest in textiles, crafts, fashion, and the costume drama and has influenced public understanding of the significance of nineteenth- century literature. By demonstrating the role of textiles in literary contexts, the project also creates opportunities for general readers to enhance their understanding of, and pleasure in, the literary culture and screen adaptations.
Researchers in Warwick's English Department have offered new perspectives on Britain's cultural and literary heritage by re-evaluating authors: both the very well-known (Dickens), the obscure (Charlotte Smith), and the otherwise forgotten (seventeenth-century women writers whose writing in manuscript would, without extensive archival recovery, be lost to view). The research has increased public understanding of Britain's rich literary history by inspiring new forms of traditional and digital art, public events and exhibitions, improved tourist information, and has led to the preservation and presentation of many literary artefacts through the creation of digital resources.
Dickens scholarship, and has impacted upon culture and leisure services; schools, colleges and lifelong learning; charities; community organisations; and the media. The delivery mechanism was a year-long festival, known as Dickens 2012 NI (Registered charity no. XT33252), which attracted thirty thousand of people of all ages. It organised events covering literature, theatre, music, the visual arts, museums, and education. The project achieved the following impacts:
This case study reclaims neglected writers and texts, enabling user engagement with British literary heritage through the commemoration, interpretation and presentation of authors' lives and forgotten or rare fiction. It expands cultural capital and enhances the imaginations and understanding of individuals and groups by raising awareness of the lives and literature of non-canonical Victorian and Edwardian writers. Using previously unexamined archival and privately-held source material it challenges previous assumptions about, for instance, disability and invalidism in relation to Victorian women writers. Through cultivating interest in, and enabling public knowledge of, such authors and their work it creates cultural and educational enrichment.
The literature of the Victorian era has an enduring popular interest, as evidenced by the plethora of film and television adaptations of novels and authors' biographies. Though this popularization has brought Victorian literature to the foreground, there is a need for the public to be better informed about this literature. Members of the English UOA are engaged in research into Victorian literature and have drawn on this research to help members of the public gain better understanding and deeper appreciation of this literature. They have achieved this through public lectures, seminars, and poetry readings, as well as at events organized through links fostered with local galleries.
This case study demonstrates how the research of Dr Michael Sanders on Chartist poetry has enhanced the public awareness of nineteenth-century working-class politics. Dr Sanders regularly communicates his research beyond academic audiences to reach a general public through his involvement in public lectures and musical, film, and heritage projects all aimed at expanding the understanding of poetry from the Chartist era. His work has had a direct impact on the presentation and preservation of the rare National Chartist Hymn Book, which was digitised as a result of his advisory role and made available to a whole new audience.