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Staging Russian plays in British theatres presents specific difficulties, ranging from the remoteness of cultural and historical points of reference down to the complexity of Russian names. Dr Curtis's interpretative, biographical and editorial studies of Russian drama have assisted companies such as the RSC, the National Theatre, the Belgrade Theatre (Coventry) and Complicité to overcome these barriers to staging Russian plays. She has achieved this through running educational workshops for the companies, talks, translations, event planning, help to props and other departments, and the writing of theatre programmes, bringing cultural and educational enrichment to professionals and public.
Previously unexplored aspects of the life and works of Russia's first Nobel Prize winner for literature, Ivan Bunin (1870-1953), were used in supporting new translations of the author's books, Dark Avenues and The Village. Glasgow researcher Andrei Rogatchevski supplied the key supplements to what were the first new translations of Bunin's work in three decades. These volumes, published by Alma Classics, have sold a combined total of 3,433 copies in the UK and overseas, exceeding the publisher's sales target and garnering positive critical acclaim.
Professor Figes's research on private lives in Soviet Russia has played a significant role in transforming public understanding of Soviet history in the UK and internationally. Two of his books are at the heart of this case study: The Whisperers (2008) and Just Send Me Word (2012) with combined international, multilingual sales of over 170,000. Between them, they have impacts both in cultural life — introducing a new understanding of life in Soviet Russia and new resources for education and research — and, as publishing successes, in economic terms. His research also provided the basis for retrieving archive materials belonging to the Russian NGO, Memorial, from a raid by Russian authorities.
Francis Spufford's book Red Plenty has been acclaimed as an ironic reflection on contemporary problems, despite being apparently devoted to the deadest of issues: central planning in the former USSR. The book has helped stimulate debate about alternative economic strategies, with the title becoming shorthand for non-market forms of organisation, and has contributed to rising interest in Soviet history. But besides achieving these topical resonances, it has been saluted for its innovative fusion of fiction and non-fiction, and its contribution to an ongoing erosion of literary boundaries. It has been released in eight languages and in the USA, with in excess of 25,000 copies sold to date; it has been shortlisted for several major book prizes. Spufford has engaged in extensive public discussion of the work, both at live events and in the broadcast media, and this has sparked voluminous on-line commentary from the wider public.
The Stanislavski Centre,(Patron, Prof. Anatoly Smeliansky), founded 2007, responds to the Stanislavski legacy and post-Stanislavski approaches to acting and provides a research-driven facility promoting and developing a new field of `Stanislavski Studies' within an international context. The Centre acts as a conduit enabling professional practice and scholarly research to interact, enrich and inform each other. Based upon the pioneering research, translations and publications of RBC's former Principal, Professor Jean Benedetti, the Centre, guided by a distinguished advisory board, includes an archive of photographic, printed and AV materials and hosts an annual programme of events open to the public. In 2012, the centre launched an ejournal, Stanislavski Studies. (bit.ly/Iu8VVo)
There is enormous public interest in the Russian Revolution and Soviet Communism. Robert Service's biographies of the three early Soviet leaders - Lenin, Stalin and Trotsky - together with his general histories of twentieth-century Russia have reached an international mass public and, in particular, have had a deep influence on the teaching of the subject in secondary schools and universities through the central place they occupy on A-level and degree-level history syllabi. In addition, Service is regularly invited to lecture to parliamentary select committees, the FCO, the Defence Academy and national business organisations.
Professor Kelly`s studies of national identity in Russia seek to challenge stereotypes about enduring traditions of political oppression and social decay as the culture`s main characteristics. Focusing on everyday life rather than high politics, they work towards an understanding of change within Russian culture, and of the part played by factors such as generation and locality in producing often very diverse forms of self-expression and self-understanding. A central topic is the role of social memory, whether as a force of solidarity or as an engine of argument. Kelly`s work draws directly on collaborations with Russian scholars and informants and has been widely noted in media and online discussions within the country, as well as informing media discussion of Russia and social policy work in the UK and elsewhere in the West.