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Elizabeth Kuti's writing has had an impact on the public's understanding of eighteenth-century literature by bringing an important part of the British heritage alive again for twenty-first century audiences. As an eighteenth-century scholar and a playwright, she works with what performance records tell us were unperformed, or rarely performed, dramas. She creatively restores these forgotten eighteenth-century plays, and has even completed an unfinished comedy from 1764. She also dramatises the lives and writings of well-known eighteenth-century public figures. To these ends, she has collaborated with the Theatre Royal in Bury St. Edmunds, the National Portrait Gallery, and the BBC. Her work has given the public an important opportunity to see rare eighteenth-century plays and to understand this period better through the historically-inspired drama she has written for the stage and radio.
While academic research about 18th-century women writers is well established, many general readers are completely unfamiliar with the range, presence and vitality of their cultural activity. Elizabeth Eger's research on 18th-century women's writing led to a free, public exhibition at the National Portrait Gallery aimed to bridge the distance between specialised and general knowledge by introducing to the general public the original bluestockings— a group of intellectual women who had significant social and literary impact upon Enlightenment Britain but were subsequently written out of history. The exhibition attracted a large audience of over 185,000 people, approximately twice the number predicted by the NPG. 40% of the visitors were first time at the NPG, and an outreach programme ensured this audience was diverse.
Access to a rare collection of Soviet war posters — unique in the UK, and one of the largest internationally — has been facilitated through a process of conservation, digitisation and display. Research by Professor Marsh underpinned two exhibitions based on the collection (one physical and one digital) and a linked public engagement programme, creating new knowledge and awareness of the historical and aesthetic contexts of the posters, Soviet visual culture, the Soviet Union in the Second World War and the form and role of propaganda in a time of conflict. The digital resource provides permanent and interactive access to a rare and physically fragile element of Soviet cultural heritage, inspiring engagement from educators, members of cultural and community organisations and the public.
Professor Sinclair's project on `Wrongdoing in Spain 1800-1936' explores the difference between cultural representations of wrongdoing and their underlying realities, and includes the digitization and cataloguing of c4500 items of popular Spanish material held at the University Library, Cambridge (UL), and the British Library (BL). This contributes significantly to the conservation, stewardship, and enhanced accessibility of this ephemeral material, increasingly valued and recognized as important in Spain as part of its social history and heritage. Digitization also makes this fragile material available to support teaching. An exhibition of this material and comparable material in English runs at the UL, Cambridge April — December 2013, strongly supported by a virtual exhibition. Public engagement events extend the understanding of the relevance of this material to modern Britain.
Through a series of well-established knowledge exchange partnerships, Leicester historians have enabled heritage organisations to identify a research agenda to inform their strategy, create innovative tourist information resources for historic sites in the UK, and manage the transition of these resources from paper to digital media. The cumulative impact of their contribution has been to extend the global reach of these organisations, to improve the quality of visitor experiences of the historic places they manage, to increase footfall and revenues at historic sites, and to develop — and realise — new pathways for economic growth by increasing demand for and strategic investment in heritage-based tourism.
Ysanne Holt was Academic Advisor and Commissioning Editor for Tate's Camden Town Group in Context project, funded through the Getty Foundation's Online Scholarly Catalogue Initiative which aims to transform how museums disseminate information about their collections. Holt undertook and commissioned new research into the Group's artworks and their broader contexts. Impacts derived from the project's online catalogue include increased awareness for national and international public and specialists; and improved access to the art and its contexts via a multi-platform open access facility. In addition, the project has influenced the Tate's Digital Strategy and led to the creation of the new post of Digital Editor within Tate's Research Department.
Bamforth's research on the Renaissance scientific marvel contributed to a major French exhibition The Birth of Modern Lorraine (Musée Lorrain, Nancy, 4 May-4 August 2013). The exhibition
Alison Rowlands' research on witch-trials in Rothenburg ob der Tauber and its rural hinterland provides the first ever scholarly study of witch-trials in this territory. The findings of this research have challenged the stereotype of the witch as an old woman and have shown the motivations of witch-hunters to have been much more complicated than previously thought. This research has informed Rowlands' public engagement programme `What is a `Witch'?', which has corrected public misconceptions of the history of witchcraft, brought benefits to cultural institutions with which she has collaborated, and contributed to local and national Key Stage 2, 3, and A Level school teaching.
Professor Andrew Gerstle's research and conceptualisation of the first exhibition of Osaka Kabuki prints since 1975 has proved a catalyst in radically reinvigorating interest in Osaka visual culture of the late 18th and 19th centuries, which had hitherto been eclipsed by that of Tokyo. Kabuki Heroes (2005), both as exhibition and detailed catalogue, has prompted further exhibitions on the subject, significantly enhanced the international market for Osaka prints, constitutes a primary source for museum curators and others and has had a significant influence on the British Museum and its curation and planning of its autumn 2013 exhibition Shunga, to which Gerstle has also substantially contributed.
There are two ways in which Erle's research on William Blake, Physiognomy and text-image relationships have achieved public impact. First, a display and a Scholar's Morning on "Blake and Physiognomy" at Tate Britain (2010-11) and there were also invitations to give public lectures for "Haus der Romantik", a Literature Museum specialising on Romanticism in Marburg (Germany) and for the Blake Society, a London-based but international organisation of Blake scholars and enthusiasts. Second, an online-exhibition on Lord Alfred Tennyson's copy of Blake's Job for the Tennyson Research Centre (2012-13) and a display on Blake, Tennyson and Anne Gilchrist in Lincoln Public Library.