Log in
Wide-ranging research undertaken by Andrew Bennett from 1994 onwards has had a profound and sustained impact on the teaching of literary theory at higher education institutions (HEIs) across the world. Bennett co-authored the first edition of An Introduction to Literature, Criticism and Theory (ILCT) with Nicholas Royle (University of Sussex) in 1995. The reception of the book has been remarkable for its enthusiasm and international reach: ILCT has become a key text in literary theory, literature and language courses in HEIs in the UK and elsewhere (including in the USA, Australia, New Zealand, India, China, Poland, Hungary, Denmark, Germany, the Netherlands, and elsewhere). The book, which has sold c. 73,000 copies, has materially influenced how literary theory is taught, making the subject more accessible to students by presenting key critical concepts in the context of readings of individual literary texts. The success of ILCT has led to the commissioning of a second, more general book directed at beginning undergraduates, Studying Literature: Reading, Thinking, Writing, which will be published by Pearson in 2014.
Editorial and biographical research on the work of Virginia Woolf, carried out primarily by Susan Sellers, fed directly into the composition of Vanessa and Virginia, a novel by Sellers about Woolf's relationship with her sister. In 2008 Vanessa and Virginia was published by a small independent publisher set up in 2006 in the north-west Highlands of Scotland. It became the press's most commercially successful publication and ensured its early economic viability. The novel was subsequently published in North America and translated into more than a dozen languages. It was also turned into a successful, inter-nationally-staged play. This case study therefore claims several types of impact: (1) exporting the cultural heritage of the UK and stimulating international public interest in Woolf; (2) generating economic prosperity for a small entrepreneurial business in a remote part of Scotland, and for the creative industries (theatre and international publishing) more widely; (3) inspiring and facilitating the work of other cultural practitioners; (4) enriching cultural life in the UK and abroad. The users of this research are: the directors of an independent publishing company; translators and international publishing houses; the director, producer and actors of a touring theatre company; the reading and theatre-going public.
Bradford's exploration of the lives of modern British writers demonstrates how research can cross over into audiences beyond specialist academic markets. The impact of his research lies in:
Professor Nicholas Cronk, has in collaboration with others, created an app which is an enhanced edition of Voltaire's Candide, freely available, for use on tablets. Candide is a timeless and universal text with perennial appeal, and this digital edition renders it accessible to a wide variety of new readers. Cronk has been encouraging engagement with Voltaire's texts through more traditional channels but this latest innovation has won new readers for Voltaire, especially among a young generation often more familiar with new media than with traditional books. The app, with its dual level of annotations, illustrations, manuscript images, commentaries, and the Polyadès recording, has been well received by a wide range of readers, and functions in a curatorial capacity to preserve an important work of French classical literary heritage in a new, sustainable format. The Candide app represents a revolutionary tool for both independent learning, and also for classroom teaching.
Tessa Hadley's, novels and stories have reached a public audience, been listed for prizes, and led to prominent literary journalism, public debate, and appointments to prize-awarding panels. Hadley's work is an example of the cultural and economic impact of the Creative Writing research community at BSU, which includes novelists, poets, dramatists and non-fiction writers, who have reached public audiences, contributed to public literary culture through journalism, broadcasting and award-judging, and contributed to the economic viability of publishing and related industries. Hadley exemplifies the strategy of using the research base to enhance the quality of published creative writing and literary debate.
Making a major contribution to English recovery research in the Unit, work associated with this case study has brought to a wider public:
1) the works of writers whose livelihoods were principally earned through manual labour or craft skills;
2) radical and neglected writing across a range of periods, genres and cultural contexts.
This has led to impact through enhancement of public understanding of literary and cultural value.
Underpinning research began in 1994; subsequently three principal routes to impact have evolved:
1) the development of open access online resources, in particular, `Labouring-Class Poets Online';
2) NTU publishing imprint, Trent Editions, which combines scholarly research with dissemination of neglected radical writing;
3) engagement with literary societies and related organizations.
Research carried out at The University of Manchester by the award-winning author Maria (M.J.) Hyland has both illuminated and challenged cultural assumptions about Multiple Sclerosis. Hyland's autobiographical and self-reflective writings have impacted on the public sphere in two ways: 1) they have opened up an international debate in the mass media, literary magazines and among those suffering from the condition about its relation to the practice of writing; 2) they have been used to train future practitioners outside academia such as authors and editors, enhancing the public understanding of writing as a profession and contributing to the success of the editorial consultancy company Hyland & Byrne, which she established in 2011.
Heinrich Böll (1917-1985) was one of post-war Germany's leading writers and public intellectuals. The Edition of Böll's complete works, prepared by a seven-strong international research team which included Finlay, has had significant impact across a number of areas, including commercial publishing (spin-off publications, marketing opportunities); digital humanities (software and platform development for large-scale critical editions, significantly changing working practices); culture and heritage (in particular in the city of Cologne); the media and the public sphere (public debate on the writer's legacy and the Heinrich-Böll foundation's cultural programme in 30 countries).
Gunn is a writer of fiction, with works published by commercial literary presses and substantial sales to a general readership. The research constitutes an experiment with artistic form, reworking modernist techniques and themes, such as bricolage, the imitation of musical form and the feminist revaluation of domestic experiences and objects. The underlying research question is: how can the technical resources and cultural preoccupations of modernist literary experiment be deployed to engage and inform a 21st-century reading public?
Gunn's research is communicated to the public through book sales, interviews, readings, and articles in the broadcast and print media, and through the Dundee Literary Festival. These activities enhance public understanding of the creative process for the wider community, providing cultural enrichment and economic benefit at the level of the local, national and international.
The impact of Professor Nigel McLoughlin's work has two main, interrelated facets. The first is the public dissemination of his poetry through a variety of media, including mass media. His work takes the Irish troubles as a main context, and addresses themes of violence, invasion, identity, belonging, and tradition. He has published widely and has been invited to perform his work to public audiences at numerous literary festivals. The second is his academic research into pedagogy and poetics. Here his academic work examines the creative process and principles of making poems and his research reflects how one can explore and teach the various textual, musical, rhythmic, formal and thematic considerations of poetry. His own poetry bears out this reflective relation to expressivity through its perpetual experiments with formal and musical considerations, imagery and the relationship of the poetic whole to multi-sensory images and embodied thought.