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Research at Sheffield has led to international cultural and conservation impact, as well as commercial impact in the UK. Two free international exhibitions designed to attract visitors of all ages and nationalities (Royal Armouries 2007/08, 20,000 visitors; and Musée national de l'Armée, Invalides, Paris (2010, 80,000 visitors) were underpinned by research on illuminated manuscripts of Jehan Froissart's Chronicles of the Hundred Years' War (covering the years 1325-1404). The exhibitions were inspired by the desire to raise awareness, regionally and nationally, of the culture of the Book and of Franco-English relations in the later Middle Ages. Miniatures from the manuscripts depicting key events were displayed alongside items selected from each country's national collection of arms and armour; interactive displays showed how the manuscripts were copied and illustrated. The research enabled an SME to be launched and opened up new access to major aspects of French cultural heritage whilst enabling the preservation of the originals' integrity, part of the intellectual and artistic patrimony of Western Europe.
Contributing to the preservation of literary materials through innovative use of technology, DMU's Centre for Technology and the Arts (CTA) — subsequently renamed the Centre for Textual Studies (CTS) — pioneered new digital techniques for analysing, editing and presenting literary-historical manuscripts of international significance. These techniques revolutionized the scholarly task of capturing data about manuscripts, permitting new kinds of analyses, editing and dissemination, now widely practised to facilitate public access and cultural enrichment. In particular, the CTA/CTS invented a manuscript description standard taken up by major libraries across the world, the International Standards Organization (ISO) via the Text Encoding Initiative (TEI) and by commercial publishers.
Heinrich Böll (1917-1985) was one of post-war Germany's leading writers and public intellectuals. The Edition of Böll's complete works, prepared by a seven-strong international research team which included Finlay, has had significant impact across a number of areas, including commercial publishing (spin-off publications, marketing opportunities); digital humanities (software and platform development for large-scale critical editions, significantly changing working practices); culture and heritage (in particular in the city of Cologne); the media and the public sphere (public debate on the writer's legacy and the Heinrich-Böll foundation's cultural programme in 30 countries).
UCL's Bentham Project has developed an international award winning public engagement and knowledge transfer initiative that brings the views of the renowned 18th century philosopher and reformer, Jeremy Bentham, to life for the modern world. By creating the Bentham Papers Catalogue, Digital Database and crowdsourcing project Transcribe Bentham, the Project has:
The Newton Project transforms public understanding of one of the most significant intellectual figures in history. A pioneering initiative that has set international standards for the digital humanities, it provides an open access online scholarly edition of Sir Isaac Newton's complete writings, making available previously unseen material relating to his ideas about science, mathematics and theology. Under the directorship of Rob Iliffe, the Project has reached a wide variety of benefactors, including secondary schools, broadcasters and the performing arts. Through these creative collaborations, it serves as an outstanding resource for the popularisation of scientific thought.
Jane Austen has, since the late nineteenth century, occupied a powerful position within English- speaking culture, popular and canonical, accessible and complexly academic. Kathryn Sutherland's engagement with audiences beyond academia has improved public understanding of how Austen's works and life acquired the forms and significance they have had. Sutherland's research has enabled better-informed teaching of Austen at secondary school and university level, and assisted high quality educational programme making for television. Her collaborative work on the digitization of Austen's working drafts has set new standards for the encoding of literary manuscripts, assisting literary curatorship and improving public accessibility to cultural heritage.
William Wordsworth's poetry is of lasting value to our cultural and national identity and to perceptions of the Lake District. The desire to communicate core Wordsworthian principles shapes and informs the research undertaken by the Wordsworth Centre, Lancaster University, which seeks to vitally reconnect poetry and the region in the twenty-first century. Such research has produced an increased engagement with Wordsworth's poetry and transformed the understanding of his work and its continuing relevance for a range of beneficiaries.
Two research projects undertaken through collaboration with the Wordsworth Trust, Grasmere have realised considerable impact in the assessment period through three main channels:
1) a pioneering website, designed for diverse users, containing the first digital versions of selected Wordsworth manuscripts, which has received over 580,000 hits;
2) contributions to the visitor experience at Dove Cottage, Grasmere;
3) 40 `Wordsworth Walks' around Grasmere and its environs involving over 950 participants from a range of different groupings (business, public sector, general public).
Professor Nicholas Cronk, has in collaboration with others, created an app which is an enhanced edition of Voltaire's Candide, freely available, for use on tablets. Candide is a timeless and universal text with perennial appeal, and this digital edition renders it accessible to a wide variety of new readers. Cronk has been encouraging engagement with Voltaire's texts through more traditional channels but this latest innovation has won new readers for Voltaire, especially among a young generation often more familiar with new media than with traditional books. The app, with its dual level of annotations, illustrations, manuscript images, commentaries, and the Polyadès recording, has been well received by a wide range of readers, and functions in a curatorial capacity to preserve an important work of French classical literary heritage in a new, sustainable format. The Candide app represents a revolutionary tool for both independent learning, and also for classroom teaching.
Between January 2008 and July 2013 The Records of the Parliaments of Scotland resource [hereafter RPS] has been accessed over 1.99 million times by users from all over the world. Whilst the principal purpose behind the publication of RPS was to further the study of Scottish history, this level of access reflects widespread engagement with the resource from a broad spectrum of users outside the traditional university sector. In 2007, following an editorial and research programme which lasted over a decade, the Scottish Parliament Project at the University of St Andrews published a full edition of the proceedings of the parliament of Scotland between the 13th century and its union with the English parliament in 1707. This edition of parliamentary texts was published online as a free-to-access and fully searchable website. Its value in supporting informed public debate in Scotland during a period of rapid constitutional change has received the recognition of major political figures and has been noted in UK and Scottish print and broadcast media. The online edition and associated research behind its production has also contributed to the continued enhancement of the history curriculum within the Scottish secondary education sector and its use in the field of Scots Law.
2011 was the 400th anniversary of the publication of the King James Version (KJV) of the Bible, one of the most significant documents in the history of the English language. In 2010, Professor Gordon Campbell published a monograph on the history of the KJV and an edition of the 1611 text. These two books played a central role in the process whereby the KJV moved from being the private possession of believers and students of literature and achieved renewed significance as the cultural property of the wider Anglophone world. In England, the KJV became the property of school children when the British government bought 21,144 copies of Campbell's edition of the Bible, and presented a copy to every primary and secondary school in the country. Campbell's books generated income that ran well into six figures, and an extensive series of lectures and discussions have deepened understanding of the KJV throughout the world.