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This case study highlights the impact derived from research undertaken into the history and contemporary possibilities of new visual media technologies, and is focused on the work of two cultural theorists in the Department, Dr David Cunningham and Dr Sas Mays. Their engagements with visual-technological cultures showcase the impact of their work on various public audiences, artistic and media practitioners and heritage organisations in creating access to new cultural knowledge for non-academic users. Mays's research has informed practice in the worlds of contemporary art and visual media heritage. Cunningham's research has generated public understanding of the visual culture of the modern metropolis, and, more directly, innovation and entrepreneurial activities within the new media production industry.
Research by Taylor, Pratt and Burns Owen Partnership formed the basis of a new Framework for Cultural Statistics, published in 2009 by UNESCO. The direct route to impact can be evidenced by the extent to which UNESCO formally adopted the researcher's proposed recommendations and revisions to the 1986 Framework, including a new category "Performance and Celebration". The Framework, which monitors and measures cultural trends at national and international level, provides policy-relevant data for UNESCO and member states to conceptualise, categorise and analyse culture and to assess the impact and relevance of cultural policies and initiatives.
Professor John Tomlinson produces world-leading research on the cultural dimensions of the globalization process. His research findings influence policy at an international level, shape professional and public understanding of the consequences of globalization and encourage public debate about international cooperation. Tomlinson has acted as a consultant to national and international bodies including UNESCO and the BBVA Foundation (Banco Bilbao Vizcaya Argentaria) in Madrid, influencing their thinking, policies and practices. He has shaped cultural practitioners' understanding of the cultural consequences of globalization through presentations to cultural bodies such as Impakt Arts Festival Utrecht and the Royal Institute of British Architects (RIBA).
Borden's research into the history and contemporary urban practice of skateboarding, and particularly its role within cities and public spaces, has enhanced understanding of this global urban activity, leading to significant changes in how the public and media understand skateboarding culture in the UK and abroad. His work has also contributed to the campaign to save a historic skateboarding site at the Southbank Centre in London, and to moves to protect similar sites elsewhere. Finally, research by Borden has informed the design and development of some of the most influential skateboarding venues in the country.
Interdisciplinary research at UEL has contributed to understanding and debate about urban regeneration among policy-making, professional and public audiences. More specifically, it has stimulated and informed discussion and debate about the potential legacies of the London 2012 Olympic games and similar "mega-events". Between 2008 and 2013 the research informed analysis, planning and evaluation of urban regeneration policy and practice relating to the Olympic legacy at international (Organisation for Economic Co-operation and Development), national (UK Government Department for Communities and Local Government, House of Lords), city-wide and local government (London Assembly) levels. UEL Research and its impact have evolved in tandem over the exciting period since the announcement of the award of the Olympics to East London in July 2005, and will continue as the Olympic legacy unfolds in this part of the city and more widely.
Research undertaken by Professor John Holden of City University London on cultural diplomacy and cultural value has had a direct impact on cultural policy-makers both nationally and internationally. In the UK it has impacted specifically on the funding of cultural diplomacy activity and the operations of Arts Council England and the Department for Culture, Media and Sport. Internationally advice has been sought by politicians and cultural administrators around the world including the Chief Executive of the Ministry of Culture in New Zealand, Alberta's Minister of Culture and the Chairs of the main cultural organisations in Hong Kong. Through this, Holden has: (i) provided expert advice to governmental, third sector and private organisations in relation to cultural policy; (ii) influenced directly the thinking of senior government ministers in relation to arts and culture; (iii) proposed new ways of thinking about the methods and mechanisms by which culture and creative practice are supported through the distribution of public funds; (iv) contributed to the enhancement of frameworks supporting the creative industries, which in turn has aided economic prosperity for a range of individuals and organisations; and (v) helped creative industry professionals and those who support them to adapt to changing cultural values.
Professor John Hyatt's (1991-present) work as a researcher, artist and theorist has led to civic development and regeneration and has contributed to the branding of city space. As a practicing artist, he has pursued trans disciplinary research projects which have influenced his collaborators' practices and public understanding. He has achieved impact as a curator through large-scale, multi-agency, international projects, which have led to sustainable collaborative and transformative cultural links between UK and Asia. Impact has been realised through contributions to the field, attitudinal shifts, public awareness, external project funding, sizeable economic investment from home and abroad, international cultural exchange and contributions to civic policy and regeneration strategies.
The research has improved the living conditions of urban residents, adding value whilst `doing no harm'. It has had a world leading impact on the understanding of the role of architecture and the design process in the context of the informal city. It theorises practice and development from a more worldly perspective to debate the meaning of professional practice and interpret urban change. Its unusual orientation as a long term project shows how practice in challenging circumstances can be strategic, combining ethical practice and research to generate tools and skills whilst training emerging researchers to co-produce outputs with outstanding reach and significance.
Cultural studies at Middlesex has often exemplified the New Left tradition that played an important role in founding the discipline. It sees cultural research as part of a broad continuum informing and shaping political debate, policymaking and civic education. Facilitated by a series of e-publications, public events and other activities, many associated with the journal Soundings, and working with organisations such as the Guardian, Oxfam, Friends of the Earth and the Labour Party, this research has had a demonstrable impact on issues of intergenerational politics, ethical consumption and the role of identity in new political formations. Key beneficiaries are charities, NGOs, political parties, think tanks and members of the general public.
Two decades of research in the Global Urban Research Unit at Newcastle University has significantly shaped public awareness and political understanding of the links between technology, infrastructure and security within highly urbanised societies. Research into the role of cities as key sites of security and war and the spread of `the surveillance society' are two interlocking foci that have generated impacts with global reach. Of particular significance are: a) research and scholarship to develop key concepts and a language that captures and communicates how urban landscapes are being infiltrated by military technologies. We specifically highlight the publication of Cities Under Siege as the culmination of this work and its impact on national and international public debate, and; b) specific studies into surveillance technologies in Britain that impact directly on public debate and the formation of specific national policy.