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Based in the School of English, the Research and Development Unit for English Studies (RDUES) conducts research in the field of corpus linguistics and develops innovative software tools to allow a wide range of external audiences to locate, annotate and use electronic data more effectively. This case study details work carried out by the RDUES team (Matt Gee, Andrew Kehoe, Antoinette Renouf) in building large-scale corpora of web texts, from which examples of language use have been extracted, analysed, and presented in a form suitable for teaching and research across and beyond HE, including collaboration with commercial partners.
The Beazley Archive Online Database enables large and diverse audiences to access and understand ancient art through Oxford research. It allows users around the world to ask and answer their own research questions and to learn about ancient imagery. It is principally dedicated to the study of ancient Athenian figure-decorated pottery and ancient/neo-classical engraved gems. It makes available hundreds of thousands of pictures and information-fields which can be browsed and searched in a variety of ways, according to the level and requirements of the user. The Database is the foremost academic tool for the study of ancient Greek pottery, but its demonstrable impact extends far beyond academia, to an international audience of students, educators, museums, businesses, and private researchers.
Dr Paul Gladston's (Associate Professor of Critical Theory and Visual Culture, Nottingham, 2005- present) research has served to problematize and add complexity to the public understanding of the relationship between contemporary Chinese art and the wider conditions of its making and showing both within and outside the Peoples' Republic of China (PRC). The Chief Curator of the Hayward Gallery exhibition Art of Change: New Directions from China (2012) drew on Gladston's expertise in the exhibition's presentation. The exhibition attracted over 22,000 visitors, with international media coverage leading to wider critical engagement in broadcast and social media. A challenging review of the exhibition in The Guardian by the high profile artist Ai Weiwei, followed by Gladston's response, stimulated broader public debate around contemporary Chinese art.
Founded in York in 1996, the Archaeology Data Service (ADS) has transformed how archaeological research is communicated in the UK, and impacted digital archiving throughout the world. Without the ADS, much of the fragile digital data (often the primary record of sites now destroyed) would have been lost. Instead, they are freely available to all. This impact extends across national heritage agencies, local government, commercial archaeology, and the public. Our resources are widely used with over two million page requests per month; almost half from beyond the HE sector. A recent study has concluded that the ADS is worth £5m per annum to the UK economy (Beagrie & Houghton 2013). The ADS has helped shape the digital preservation policy of English Heritage and informed practice in the United States, Australia, Canada, the Netherlands, Sweden, and Germany.
Although Adam Benjamin's research has greatly influenced contemporary dance in the UK and elsewhere through his development and advocacy of inclusive practice, this case study focuses on his impact on contemporary dance and disability culture in Ethiopia. By introducing integrated practice to Adugna Community Dance Company in Addis Ababa (in which able-bodied and disabled dancers perform together), and continuing to foster its development through his choreographic and mentoring work with its current Artistic Directors, he has helped to transform the lives of individual disabled performers as well as strongly contributing to the socially-driven nature, values and aesthetics of contemporary Ethiopian dance.
Dr Finnin's research has raised and enriched the profile of Ukraine as a multi-ethnic and multi-confessional cultural space bound together by projects of inter- and intra-national solidarity. His scholarly work has inspired and informed a high-profile public engagement programme, which has centred on an annual film festival launched in 2008, an annual evening of literary readings begun in 2010, and two exhibitions in 2009 and 2010. In Ukraine these outputs have in turn garnered extensive media attention, contributing to the preservation of a beleaguered cultural tradition and to the reconciliation of national communities (Ukrainian, Russian, Crimean Tatar) all with traumatic pasts.
For two decades, researchers at Southampton have played a leading role in demonstrating the value of bringing contemporary aesthetics into dialogue with its past. Through an extensive programme of public engagement activities, including talks, podcasts, videos, gallery events and 6th form conferences, we have brought our research on this theme to more than 200,000 people, stimulating them to think about unfamiliar topics, or about familiar topics in new and illuminating ways. These activities have enriched our interlocutors' intellectual and cultural lives, and, in some cases, have influenced their understanding of their own artistic practice.
The Africa in Motion Film Festival (AiM), based in Glasgow and Edinburgh, directly emerged from research led by David Murphy and a community of postgraduate students at the University of Stirling. The festival has attracted new audiences for African cinema (over 20,000 spectators since 2006) and contributed to wider debates about it amongst the general public, NGOs, as well as cinephiles in Scotland and more widely. In particular, two projects on the `lost classics' of African cinema allowed neglected films to be discovered both by a general audience and influential film critics/journalists.
Afterall is a research and publishing organisation founded in 1998 by Research Fellow Charles Esche and Professor Mark Lewis at Central Saint Martins, University of the Arts London (UAL). Afterall focuses on contemporary art, and its relationship to wider theoretical, social and political fields. Researchers associated to Afterall undertake and commission research, which is disseminated to an international audience through publications and events. Afterall impacts on the cultural sector and an extended audience by providing a platform for critical and creative responses to art, curatorial and cultural practice and by shaping discourse in this area. The significance and wide reach of this impact is demonstrated through partnerships and high-profile cultural events, publication reach, and support from the cultural community.
As a result of Benedict Burbridge's work on photographic practices, he was asked to co-curate the Brighton Photo Biennial 2012, entitled Agents of Change: Photography and the Politics of Space. The Biennial had an impact on viewers' understanding of photography, photographic practices and the contingent meaning of photographic images. It also affected the artistic practice of participants and influenced a number of students to see connections between art and politics. Burbridge's research shaped the Biennial's thirteen exhibitions: he invited its artists and organised the exhibition of work in unusual spaces and modes that highlighted connections between image and context by underlining the influence that setting has on meaning.