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Professor Zoe Trodd has contributed to changes in antislavery policy debate and practice at local, national and international levels—from lawyers' societies and school teachers, to national non-governmental organisations (NGOs) and the European Parliament—through a series of publications, consultations, public talks, and contributions to teaching and digital resources about contemporary slavery and abolitionism. Drawing on her own research, as well as research into historic forms of slave resistance and literary abolitionism by two other professors in the UoA, she has intervened in contemporary abolitionism by advising the government bodies, NGOs and community organisations working to liberate slaves, pass antislavery legislation and remove slavery from industries' supply chains.
The Beazley Archive Online Database enables large and diverse audiences to access and understand ancient art through Oxford research. It allows users around the world to ask and answer their own research questions and to learn about ancient imagery. It is principally dedicated to the study of ancient Athenian figure-decorated pottery and ancient/neo-classical engraved gems. It makes available hundreds of thousands of pictures and information-fields which can be browsed and searched in a variety of ways, according to the level and requirements of the user. The Database is the foremost academic tool for the study of ancient Greek pottery, but its demonstrable impact extends far beyond academia, to an international audience of students, educators, museums, businesses, and private researchers.
Hitchcott's research on the relation between textual and material commemorations of the 1994 Rwanda genocide has benefited survivors and rescuers whose experiences form the basis of the Francophone African novels on which she publishes. As a result of her leadership of a research collaboration between The University of Nottingham and The Aegis Trust, a leading Nottinghamshire-based NGO dedicated to the prevention of genocide through education, an AHRC Collaborative Doctoral Award has ensured that:
Karl Gerth's work on the role of Chinese consumers in the global economy, and on ways in which Chinese consumerism may create more environmental and policy problems than it solves, has had a significant influence on business leaders seeking to position themselves in the Chinese market, as well as on public discourse around the `rise of China'. Gerth has extended the range and quality of the evidence on the interconnected and wide-ranging ramifications of the shift within China toward a market economy over the past thirty years, and has improved understanding of this phenomenon in ways which have enabled British business to compete more effectively in China.
Dr Paul Gladston's (Associate Professor of Critical Theory and Visual Culture, Nottingham, 2005- present) research has served to problematize and add complexity to the public understanding of the relationship between contemporary Chinese art and the wider conditions of its making and showing both within and outside the Peoples' Republic of China (PRC). The Chief Curator of the Hayward Gallery exhibition Art of Change: New Directions from China (2012) drew on Gladston's expertise in the exhibition's presentation. The exhibition attracted over 22,000 visitors, with international media coverage leading to wider critical engagement in broadcast and social media. A challenging review of the exhibition in The Guardian by the high profile artist Ai Weiwei, followed by Gladston's response, stimulated broader public debate around contemporary Chinese art.
Research carried out by the Department of Sociology at the University of Aberdeen into the nature and extent of communal division in societies emerging from conflict — particularly in Northern Ireland — has directly benefitted policy makers and community leaders through personal briefings and exposure on influential electronic media. The research findings have also benefitted action groups, peace practitioners, churches and other civil society groups in Northern Ireland, Sri Lanka and elsewhere through workshops and training materials; and they have raised awareness and understanding and stimulated debate through the purposeful use of online media outlets.
Challenging simplistic depictions of Ireland's revolutionary past, Fearghal McGarry's research has facilitated greater public understanding of the causes and consequences of political violence in Ireland. Through impacts arising from an innovative collaboration with a documentary film-maker, as well as through the influence of his research on public discourse, cultural life, civil society and education, McGarry's work has enhanced public understanding by extending the range and quality of historical evidence, contributing to a more meaningful public engagement with both history and commemorative processes within the context of post-conflict Northern Ireland and the current `decade of centenaries'.
Dr Finnin's research has raised and enriched the profile of Ukraine as a multi-ethnic and multi-confessional cultural space bound together by projects of inter- and intra-national solidarity. His scholarly work has inspired and informed a high-profile public engagement programme, which has centred on an annual film festival launched in 2008, an annual evening of literary readings begun in 2010, and two exhibitions in 2009 and 2010. In Ukraine these outputs have in turn garnered extensive media attention, contributing to the preservation of a beleaguered cultural tradition and to the reconciliation of national communities (Ukrainian, Russian, Crimean Tatar) all with traumatic pasts.
For two decades, researchers at Southampton have played a leading role in demonstrating the value of bringing contemporary aesthetics into dialogue with its past. Through an extensive programme of public engagement activities, including talks, podcasts, videos, gallery events and 6th form conferences, we have brought our research on this theme to more than 200,000 people, stimulating them to think about unfamiliar topics, or about familiar topics in new and illuminating ways. These activities have enriched our interlocutors' intellectual and cultural lives, and, in some cases, have influenced their understanding of their own artistic practice.
The Africa in Motion Film Festival (AiM), based in Glasgow and Edinburgh, directly emerged from research led by David Murphy and a community of postgraduate students at the University of Stirling. The festival has attracted new audiences for African cinema (over 20,000 spectators since 2006) and contributed to wider debates about it amongst the general public, NGOs, as well as cinephiles in Scotland and more widely. In particular, two projects on the `lost classics' of African cinema allowed neglected films to be discovered both by a general audience and influential film critics/journalists.