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Queen Mary's research in Renaissance Studies has informed curatorial practice at cultural institutions in the UK and abroad, including the Victoria and Albert Museum in London and the Cini Foundation in Venice, producing displays that have reflected new conceptual approaches to the Renaissance and that have captured the imagination of large, general audiences. Their success was due, in part, to the close synergies between curators and Queen Mary scholars, including shared PhD student supervision through the AHRC Collaborative Doctoral Award scheme and through co-curation. Novel research ideas influenced the conceptualisation and approach to exhibits on Renaissance topics, manifested in new ways of presenting images and objects and their accompanying interpretative materials, such as catalogues, wall texts, events, and engagement with the media.
This case study describes contributions to the public understanding of the King James Bible in the UK and US, achieved through organisation of public exhibitions marking the 400th anniversary of publication, a mobile app, educational and cultural events. `Manifold Greatness', exhibited first at the Bodleian Library, told the story of the commissioning of the KJB and how the many translators working `by committee' achieved its famous `perfection of style'. The exhibition debunked myths about the KJB, educated school and adult audiences, and informed and energised public debate in 2011-13 about the place of the Bible in British and American culture.
The impact that pertains to this case study is located in three domains. Firstly, lay engagement with the understanding and appreciation of ecclesiastical history via public lectures. Secondly, informing understanding about the historical, theological and philosophical processes attached to the discipline of ecclesiastical history through expert comments in the mass media. Thirdly, through the organisation of conferences leading to the development of international societies, international partnerships, and engagement with the general public and dissemination of original research.
This case study shows how the research of Brian Cummings, his edition of The Book of Common Prayer and subsequent co-curated exhibition at Lambeth Palace, `Monarchy and The Book of Common Prayer', have enriched cultural life and public discourse through increasing public appreciation of The Book of Common Prayer. The work has informed the understanding of the history and nature of Christian worship for two overlapping groups of the public: members of Christian churches; and those interested in religious history and culture. The work has also had an impact on general public understanding of the history and development of the English language.
This case study concerns two forms of impact from the 2012 BBC2 television series, The Crusades, based on the research of Asbridge (www.bbc.co.uk/programmes/b01b3fpw): on the public understanding of the crusades; and on the creative industries. Asbridge's landmark television series, which he wrote and presented, informed public understanding of the crusades as an historical event with contemporary echoes in international political debate. In this example of one area of the School's historical research, a Queen Mary historian has drawn upon two decade's research on the history of the crusades to mediate his findings for a national and international public audience. Asbridge's series presented his research in an accessible, non-technical form to over two million viewers in the UK and to audiences across the world from Australia to Russia. In achieving a major BBC television commission to produce a series based on his research, Asbridge also made a contribution to the creative industries. The Crusades led to employment and prosperity for a television production company (360 Productions — www.360production.com/) and to the development of BBC television history.
Dr Lucy Munro's consultancy and public engagement work with Shakespeare's Globe and King Edward VI School has brought her cutting-edge research on early modern theatre history into the public domain, helping to shape not only broader understandings of this field in the culture at large but also the performative and material specifics of its contemporary production. Dr Munro's research focuses in particular on the places in which plays were performed, the companies that performed them, and the ways in which theatrical repertories were constructed.
Rees Davies (1938-2005) was one of the most significant British medieval historians of the post-war period, the most distinguished historian of medieval Wales, and a leading figure in the movement for British (as opposed to English) history as a staple of undergraduate teaching. While his vision of medieval Wales and Britain evolved over a forty-year career in universities and public service, it entered a distinctive phase in its final decade, when Davies wrote the definitive study of the revolt of Owain Glyn Dŵr and coined the notion of `the first English Empire'. The research of these years, when Davies was Chichele Professor of Medieval History at the University of Oxford, has had a lasting impact on the public understanding of history in Wales, on the management and presentation of Welsh heritage, and on the teaching of undergraduate history across the British Isles.
Twenty-first century concepts of faith, community, and division were forged in the early modern period: an age of Reformations, unprecedented cross-cultural encounters (especially between Christianity and Islam), and new understandings of religious, personal and social identity. The research of Ziad Elmarsafy, Kevin Killeen, and Helen Smith, in this field, has impacted upon a wide range of publics, individuals, and institutions, who have gained a new understanding of national and international attitudes to religious life, and a changed perspective on pressing contemporary debates about belief and society. Beneficiaries include school students, interested members of the public, and staff, volunteers, and visitors at Hardwick Hall and York Minster Library. These latter collaborations paved the way for national impact, benefitting the National Trust, and Cathedral Libraries and Archives.
Alison Rowlands' research on witch-trials in Rothenburg ob der Tauber and its rural hinterland provides the first ever scholarly study of witch-trials in this territory. The findings of this research have challenged the stereotype of the witch as an old woman and have shown the motivations of witch-hunters to have been much more complicated than previously thought. This research has informed Rowlands' public engagement programme `What is a `Witch'?', which has corrected public misconceptions of the history of witchcraft, brought benefits to cultural institutions with which she has collaborated, and contributed to local and national Key Stage 2, 3, and A Level school teaching.
Research on the discipline of Dutch Studies conducted at UCL contributed to recommendations from the Raad voor de Nederlandse Taal en Letteren (Council for Dutch Language and Literature), providing policy advice to the Committee of Ministers overseeing the Dutch Language Union, the intergovernmental organisation responsible for the internal and external language policies of the Netherlands and Flanders. This in turn led to a new policy of the Dutch Language Union, which influences a €12 million annual budget supporting Dutch language infrastructure across the world. It also led to substantial worldwide debate amongst university teachers and to changes in how these subjects are taught and researched.