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Professor John Tomlinson produces world-leading research on the cultural dimensions of the globalization process. His research findings influence policy at an international level, shape professional and public understanding of the consequences of globalization and encourage public debate about international cooperation. Tomlinson has acted as a consultant to national and international bodies including UNESCO and the BBVA Foundation (Banco Bilbao Vizcaya Argentaria) in Madrid, influencing their thinking, policies and practices. He has shaped cultural practitioners' understanding of the cultural consequences of globalization through presentations to cultural bodies such as Impakt Arts Festival Utrecht and the Royal Institute of British Architects (RIBA).
Research by Taylor, Pratt and Burns Owen Partnership formed the basis of a new Framework for Cultural Statistics, published in 2009 by UNESCO. The direct route to impact can be evidenced by the extent to which UNESCO formally adopted the researcher's proposed recommendations and revisions to the 1986 Framework, including a new category "Performance and Celebration". The Framework, which monitors and measures cultural trends at national and international level, provides policy-relevant data for UNESCO and member states to conceptualise, categorise and analyse culture and to assess the impact and relevance of cultural policies and initiatives.
Holliday's research is at the core of paradigm change in intercultural communication. For this reason it has provided a conceptual underpinning for the design and writing of the new syllabus for English language teacher education proposed by the Chinese National Institute of Education Sciences. Holliday was invited to use his research to write the part of this syllabus which describes teacher knowledge and methodology necessary for recognising the cultural contribution of school students in learning English.
This research has also increased the intercultural awareness of English language educators in Asia and Central America through a range of seminars, workshops and internet material, and has produced a textbook which has carried this awareness to university students in the humanities and social sciences in a range of countries.
University of Manchester (UoM) sociologists have responded to escalating policy interest in the cultural and creative industries as generators of social and economic value; developing a more complex analysis of the significance of these sectors for understanding social inequality. Through a distinctive form of `cultural class analysis' (CCA), three key impacts are generated. Firstly, co-producing the BBC `Great British Class Survey' (GBCS) as a major public sociology intervention on understandings of `class'. Secondly, influencing new market research frameworks. Thirdly, applying CCA within the cultural sector, challenging policy understandings of how class inequalities are bound up with cultural participation. In a period of austerity and sharply increasing social, cultural and economic inequality, these impacts have successfully provoked renewed media and public engagement with issues of class division.
Since 2005 Professor Peter Stone's research has explored what we tolerate as acceptable, and crucially, what we view as unacceptable, practice during armed conflict in relation to the protection of cultural property. It has investigated, within the context of jus in bello [the morality of what is done during war], the way in which we wage war and, by implication, the very nature of war itself. This research has impacted on: NGOs; national policy makers (including the HM Government); and the international military:
Professor Pratt's work on the conceptualisation, measurement and operationalization of the cultural and creative industries has had significant impact within the field of cultural and economic policy at the urban, regional, national and international levels. These ideas have been taken up and used by policy makers to identify the contribution of the cultural economy. Professor Pratt's work has been instrumental in devising the United Nations Educational, Scientific and Cultural Organisation (UNESCO) Framework for Cultural Statistics (2009), the United Nations Conference on Trade and Development (UNCTAD) Creative Economy Report (2010 and 2013), and the World Intellectual Property Organisation (WIPO) report on the economic and social consequences of copyright for the creative industries (2013).
Rhythm Changes is Europe's largest ever jazz research project to date, examining the inherited traditions and practices of European jazz cultures, engaging audiences, performers, the creative industries and arts agencies in the collection, interpretation and sharing of cultural experiences, resources and data, demonstrating the following impact:
University of Huddersfield research into intercultural exchange and cultural constructions of identity has led to technical innovations in composition and performance, giving vibrancy to work that has been taken up by some of the world's pre-eminent orchestras and soloists and so reaching a broad international audience. These studies have contributed to the policy work of an international think- tank, Cologne's Akademie der Künste der Welt, leading to greater participation in the arts among youth and artists from disadvantaged communities, and have also benefited Australian secondary school students in bringing a discussion of Indigenous culture into curricula in creative composition.
The `Impacts 08' research programme was inherently, in and of itself, designed to impact upon policy-makers and practitioners by documenting the process of hosting major cultural events and providing robust evidence of their social, economic and cultural impact. Between 2006 and 2010 regular and easily accessible research based reports were shared with stakeholders and the public. The impact of the work is evidenced in the development of local, UK and EU policy on cultural regeneration and events. These policy developments have addressed approaches to funding, promoting and assessing the value of cultural events.
The University of Southampton has carried out a programme of research into transnational networks of migrants, especially musicians from African countries, and multicultural neighbourhoods across Europe. This has resulted in a series of popular multi-national arts events in Africa and Europe, involving artists numbering in the hundreds and audiences in the hundreds of thousands. These events have generated new independent cultural projects, leading to economic benefit for organisers and participants and to greater public awareness of migrant and mixed community issues.