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Research produced by the University of Reading's Charlemagne in England project played a key role in a successful bid to develop community-based street theatre cultural projects in Walsall as part of a regeneration programme. Four plays have been performed in the area to date, helping to strengthen local identity. International links have been established with audiences in countries such as Canada through video-streamed performances, and there are plans to take the plays to Belgium and France. Set to become an annual tradition, the project has already brought about significant local cultural change in a relatively disadvantaged part of the country.
Bamforth's research on the Renaissance scientific marvel contributed to a major French exhibition The Birth of Modern Lorraine (Musée Lorrain, Nancy, 4 May-4 August 2013). The exhibition
Dr Richard Sugg has applied his research on the cultural history of medicinal cannibalism in a series of consultancies for makers of television and radio documentaries. International media coverage of his research led to collaborations with independent documentary companies. He provided decisive contributions to programme scripting, filming strategy and content, all derived directly from his research findings. These programmes were screened by national and international broadcasters, helping the programme-makers to develop their companies and the broadcasters to secure audiences and revenue. This research therefore had creative and commercial impacts in the documentary film-making industry, in which the UK is a world-leader.
In contrast to many European countries, public performance of music in languages other than English is still rare in the UK. French specialist Peter Hawkins has been researching and teaching the genre of chanson as a key element of French popular culture for most of his career. His research has fed into a regular series of public engagement activities over the past decade and beyond, including public performances of French chanson at a variety of venues. In a set of concerts given in spring 2013, Hawkins performed his own English translations of French chansons by the sometimes controversial Monegasque writer Léo Ferré, who is exceptionally well-known in France but much less so in the UK. The aim was to bring this particular type of musical poetry to a non-French-speaking audience. Feedback from the various audiences shows that some 70% feel that singing French chanson in English was a success and significantly extended and enhanced their cultural experience.
Twenty-first century concepts of faith, community, and division were forged in the early modern period: an age of Reformations, unprecedented cross-cultural encounters (especially between Christianity and Islam), and new understandings of religious, personal and social identity. The research of Ziad Elmarsafy, Kevin Killeen, and Helen Smith, in this field, has impacted upon a wide range of publics, individuals, and institutions, who have gained a new understanding of national and international attitudes to religious life, and a changed perspective on pressing contemporary debates about belief and society. Beneficiaries include school students, interested members of the public, and staff, volunteers, and visitors at Hardwick Hall and York Minster Library. These latter collaborations paved the way for national impact, benefitting the National Trust, and Cathedral Libraries and Archives.
University of Huddersfield research into Lady Anne Clifford and her Great Books of Record has led to wide-ranging new awareness of a key figure in regional history, women's writing and political and cultural engagement. Supported by extensive dissemination efforts, including an exhibition, a series of public lectures and numerous media appearances, the work has helped inform the broader popular debate about the period in which Lady Anne lived, especially in terms of challenging cultural and gender stereotypes, and has generated both local and national interest in her life, her achievements and her continuing significance. The tourism, heritage and culture industries have benefited as a result.
The history of cartography research group at Queen Mary have exploited their research on the cultural history of maps in the early modern period to enhance public understanding of mapmaking and the knowledge that maps create. They have taken their academic research to a wider audience through authored television and radio programmes, research council-funded books, public lectures and reviews across a range of media. In this way, their research has generated significant economic impact, contributing to the economic prosperity of the creative sector, including trade publishing, print media journalism, television, and literary festivals, and improving the quality of evidence, argument and expression in public discourse on contemporary map-making.
Research in Medical Humanities, including a distinctive input from English Studies, has influenced the working practices of a wide range of individuals and groups, both in the arts and in medicine, at regional, national and international levels. Beneficiaries include medical professionals and writers, artists and museums. The impacts on medical practitioners have been: to influence professional conceptions of medicine, illness and the body; to influence policy and training through collaboration with the Royal College of General Practitioners; and to alter medical perceptions of consultation in general practice. The impacts on creative work have been: to inspire and promote specific works in creative arts; and to shape the exhibition policy of the Royal College of Surgeons in bringing their art collection to public benefit.
The Centre for Medieval and Early Modern Studies (MEMS) actively promotes cross-sector collaboration and exchange with cultural institutions outside Higher Education. Through these partnerships, MEMS research in material culture and spatial studies by Catherine Richardson and Bernhard Klein has delivered public benefits by changing curatorial practices in the heritage sector and by influencing the content and the form of the education of doctoral students in the Humanities beyond the University of Kent. This research has been used by cultural providers, engaged wide public audiences, significantly enriched the experience of a large number of individuals, and changed the policies of several institutions within and outside the UK.
Dr Lucy Munro's consultancy and public engagement work with Shakespeare's Globe and King Edward VI School has brought her cutting-edge research on early modern theatre history into the public domain, helping to shape not only broader understandings of this field in the culture at large but also the performative and material specifics of its contemporary production. Dr Munro's research focuses in particular on the places in which plays were performed, the companies that performed them, and the ways in which theatrical repertories were constructed.