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The history of cartography research group at Queen Mary have exploited their research on the cultural history of maps in the early modern period to enhance public understanding of mapmaking and the knowledge that maps create. They have taken their academic research to a wider audience through authored television and radio programmes, research council-funded books, public lectures and reviews across a range of media. In this way, their research has generated significant economic impact, contributing to the economic prosperity of the creative sector, including trade publishing, print media journalism, television, and literary festivals, and improving the quality of evidence, argument and expression in public discourse on contemporary map-making.
This case study shows how the research of Brian Cummings, his edition of The Book of Common Prayer and subsequent co-curated exhibition at Lambeth Palace, `Monarchy and The Book of Common Prayer', have enriched cultural life and public discourse through increasing public appreciation of The Book of Common Prayer. The work has informed the understanding of the history and nature of Christian worship for two overlapping groups of the public: members of Christian churches; and those interested in religious history and culture. The work has also had an impact on general public understanding of the history and development of the English language.
As scholars and translators, Susan Bassnett, Maureen Freely, Michael Hulse and Tony Howard have driven translation theory and practice, and introduced new authors and new cultures to Anglophone readers. Their translations have provided economic benefits to authors and to independent publishing houses specialising in translation. Bassnett's and Freely's work with professional translation organisations has informed the development of professional translators, resulting in greater professionalization and increased public recognition.
The impact that pertains to this case study is located in three domains. Firstly, lay engagement with the understanding and appreciation of ecclesiastical history via public lectures. Secondly, informing understanding about the historical, theological and philosophical processes attached to the discipline of ecclesiastical history through expert comments in the mass media. Thirdly, through the organisation of conferences leading to the development of international societies, international partnerships, and engagement with the general public and dissemination of original research.
Diarmaid MacCulloch's lifelong research in Church History led to the momentous undertaking of a one-volume History of Christianity (2009). Reviewers agreed that it was not merely a masterly presentation of an immense amount of data but also broke new ground in its novel take on the historical narrative of this religion. This work alerted BBC producers who contracted MacCulloch for a series of six one-hour-long episodes. The series was screened twice on BBC4 in November and December 2009, on BBC2 in January 2010 and on BBC4 again at Easter 2010. It was subsequently issued on DVD in European and US formats. Discussions of the work in the media and extensive viewer feedback testify to its impact on the cultural life in the UK and internationally. Released viewer figures for the TV series and sales figures for the DVD are indicative of the impact MacCulloch's work has had on economic prosperity.
Twenty-first century concepts of faith, community, and division were forged in the early modern period: an age of Reformations, unprecedented cross-cultural encounters (especially between Christianity and Islam), and new understandings of religious, personal and social identity. The research of Ziad Elmarsafy, Kevin Killeen, and Helen Smith, in this field, has impacted upon a wide range of publics, individuals, and institutions, who have gained a new understanding of national and international attitudes to religious life, and a changed perspective on pressing contemporary debates about belief and society. Beneficiaries include school students, interested members of the public, and staff, volunteers, and visitors at Hardwick Hall and York Minster Library. These latter collaborations paved the way for national impact, benefitting the National Trust, and Cathedral Libraries and Archives.
The principal, interrelated forms of impact claimed for these two new editions/translations are educational and economic.
The educational impact derives from:
The economic impact (totalling £200,328 to date) has been generated by high annual sales (so far 24,204 copies of Nietzsche and 9,866 copies of Weber sold), with £67,279 generated between 2008 and 2012. These sales figures reflect the widespread adoption of the texts on educational courses across a range of disciplines and in many different countries.
The new versions of Weber's foundational political essays also "enhance public understanding" of key issues in "civil society". The new version of "The Birth of Tragedy" has presented a key part of the "cultural capital" of Europe to a wider international readership.
Rees Davies (1938-2005) was one of the most significant British medieval historians of the post-war period, the most distinguished historian of medieval Wales, and a leading figure in the movement for British (as opposed to English) history as a staple of undergraduate teaching. While his vision of medieval Wales and Britain evolved over a forty-year career in universities and public service, it entered a distinctive phase in its final decade, when Davies wrote the definitive study of the revolt of Owain Glyn Dŵr and coined the notion of `the first English Empire'. The research of these years, when Davies was Chichele Professor of Medieval History at the University of Oxford, has had a lasting impact on the public understanding of history in Wales, on the management and presentation of Welsh heritage, and on the teaching of undergraduate history across the British Isles.
This case study concerns two forms of impact from the 2012 BBC2 television series, The Crusades, based on the research of Asbridge (www.bbc.co.uk/programmes/b01b3fpw): on the public understanding of the crusades; and on the creative industries. Asbridge's landmark television series, which he wrote and presented, informed public understanding of the crusades as an historical event with contemporary echoes in international political debate. In this example of one area of the School's historical research, a Queen Mary historian has drawn upon two decade's research on the history of the crusades to mediate his findings for a national and international public audience. Asbridge's series presented his research in an accessible, non-technical form to over two million viewers in the UK and to audiences across the world from Australia to Russia. In achieving a major BBC television commission to produce a series based on his research, Asbridge also made a contribution to the creative industries. The Crusades led to employment and prosperity for a television production company (360 Productions — www.360production.com/) and to the development of BBC television history.
The research, on early 18th century South India through the writings of German missionary scholars, has expanded knowledge of the Tamil people, languages and cultures; identified more than 160 Tamil and Telugu texts engraved on palm leaves; and recovered numerous paper manuscripts that were considered lost. The work on manuscript recovery has contributed to the professional practice and discourse of professional archivists and librarians and, through examining these manuscripts in Tamil, German, Latin, Portuguese, and English, a new picture about the Tamil emerges. This has important implications for Tamil cultural identity, heritage and pride, currently a matter of social and political emphasis in the Indian public sphere. It also contributes to government initiatives for the revival and celebration of the Tamil language.