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The case study focuses on work undertaken at Bangor University (BU) in two closely related fields, Welsh lexicography and terminology. It demonstrates how a major lexicographical publication — The Welsh Academy English-Welsh Dictionary: Geiriadur yr Academi (1995) — has far-reaching influence and impact on the daily use and vocabulary of standard literary Welsh. It displays how lexicography sustains the vitality of a `lesser-used' language and enables a standard written form to be widely used in educational, professional and public domains. Building on the lexicographical feat represented by the dictionary, BU also leads the development of the allied area of Welsh terminology. Furthermore, in both these areas BU has facilitated the delivery of its research to non- academic users through the creation of open-access on-line databases.
Welsh migrants had a distinctive impact in the countries in which they settled, but their contribution remains unacknowledged in many academic or popular histories, be these of Wales or (for example) the USA. In addressing this lacuna, Jones's research on the Welsh diaspora has influenced public and professional understanding of the Welsh specifically in North America through directing the content of exhibitions, as well as professional practice in the heritage sector, and by engaging directly with a diverse range of audiences and professionals to enhance their understanding of the Welsh diaspora. As an advisor/collaborator with a range of media companies operating in both the English and Welsh languages, Jones's research has benefited productions across traditional and digital media platforms. His expertise is central to informing modern understandings of Welsh communities overseas and, thus, of the Welsh as a people with global horizons.
The publication of The Library of Wales series, of Welsh literary works in English, was funded by the Welsh Government as a direct result of evidence given to the National Assembly of Wales by Thomas. The evidence was based on research carried out at Swansea University, and made the case for bringing a neglected but artistically and culturally important body of literature back into print. Since 2008 the series, edited by Smith, has delivered economic benefit to its publisher; provided new content for cultural tourism events; raised awareness of Welsh writing in English amongst new audiences; and made new material available for educational and creative purposes.
This project has contributed to Welsh culture by increasing appreciation of the poetry of one of the finest exponents of the bardic tradition, by using that poetry to promote understanding of the literature and history of medieval Wales, and by collaborating with other organisations to further their promotion of Wales's cultural heritage. Impact has been achieved by innovative use of digital technology and by dissemination focusing on significant sites and artefacts featured in the poetry.
Since 1997 Professor Jane Aaron has been the founding and continuing editor of the series `Welsh Women's Classics', published by the independent Welsh feminist press Honno with the aim of bringing back into print virtually forgotten texts, prefaced by scholarly introductions. Twenty-two volumes have appeared in the series to date, five of which Aaron edited and introduced. Their impact on the reading public and on higher educational institutions in Wales has been considerable; far more Welsh women writers — the majority of them published in the series — are taught, researched and read today than in the mid-1990s.
This case study considers the impact since 1 January 2008 of Mihangel Morgan's creative writing outputs. It concentrates on the way in which Morgan's work has shaped the content of the Welsh A Level syllabus delivered by the Welsh Joint Education Committee (WJEC) as well as the teaching of another HEI in Wales. By focusing on Morgan's broad ranging readership, the case study also demonstrates the impact of his experimental approach to fiction and literary practice on cultural life and public discourse, not only in Wales but also amongst the Welsh diaspora in Patagonia.
The Unit's creative writing has had an impact on Welsh language culture by means of:
1) public engagement, especially at Wales' largest cultural festival, the National Eisteddfod, including a best-selling novel which won the Daniel Owen Memorial Prize (2009), a commemorative poem which won the Chair (2010), and a historic appointment as Archdruid of Wales (2012), the first time a woman has held this prestigious position. Such engagement is described below as `invaluable and striking'.
2) supporting a number of fora which are culturally essential to cultivate a minority language such as Welsh, including diverse festival, institutional and reader groups, from the National Library to smaller learned and literary societies across Wales, as well as contributing to Welsh-medium programmes on S4C and BBC Radio Cymru.
3) commemorating the lives of two national heroes, the academic Hywel Teifi Edwards and the rugby international Ray Gravell. Both were well known broadcasters and admired by many across the nation who mourned their loss.
The case study describes the impact of research conducted at the Institute of Welsh Politics (IWP) on public opinion on Welsh devolution by Professor Wyn Jones and Professor Scully. Two types of impact have been generated by this research. First, the research has informed public policy processes relating to the Welsh devolution settlement primarily in Wales but also in the UK more generally. Second, the research, and its dissemination through media, public seminars and educational activities has resulted in impact on societal beneficiaries in Wales, specifically through informing and shaping public discourse on and understanding of Welsh devolution. The impact derives from ESRC-funded public opinion surveys and key academic publications on public attitudes in Wales towards devolution.
The research has informed and influenced the creation of language policies and educational strategies at local and Welsh government levels which have had a direct impact on:
1) expanding the domains where Welsh is used by young people;
2) embedding the tracking of linguistic progression between key stages;
3) expanding Welsh medium school education in the context of language policy for the normalisation of a minority language.
The research also informed the work of the campaign and pressure groups RHAG [Rhieni dros Addysg Gymraeg, trans. Parents for Welsh Medium Education], and Dyfodol i'r Gymraeg [A future for Welsh], which have elected the lead researcher, Gruffudd, as Chair within the REF census period.
Until the Centre for Media and Culture in Small Nations was established in 2006, there was no coherent, multidisciplinary programme of research examining the creative industries through the distinct framework of small nations, including Wales. By drawing together researchers from diverse arts and media disciplines, the Centre has provided a thorough analysis of the creative industries in Wales and informed public debate on their artistic, social and economic contribution to the nation's civic life. Our original research has delivered new insights for organisations, and their users, including BBC Wales, National Theatre Wales, the Welsh Music Foundation and community radio.