Log in
The Gutzkow project, co-directed by Lauster and Vonhoff of the Department of Modern Languages (German), has transformed public access to the author's work through open-access, on-line publication. The project, which combines specialist scholarship with innovative editing, has considerably enhanced public appreciation of a widened canon of 19th-century German literature (impact 1). User testimonies, the international press, public acknowledgement and public involvement in events in the region reveal a significant renewal of public interest in Gutzkow. The editorial results of the Gutzkow project have been requested by an interdisciplinary linguistic digitization project in Berlin and will be fully integrated in this open access linguistic database (impact 2).
The Rylands Cairo Genizah Project has had impact through its conservation, presentation, and interpretation of an internationally important archive of manuscripts which illuminate all aspects of the history, and the religious, social, and commercial life of the Jews in the Levant from the 9th to the 19th centuries. This collection is of deep interest to the Jewish community in the UK and abroad, and forms part of the cultural capital of this country, where the vast bulk of it is now housed. The project has also had an impact on heritage experts, by developing methods which have been applied to recording and disseminating other cultural assets.
The Knights Templar are famous for their involvement in the Medieval crusades but the myths surrounding them and popular representations, as seen in The Da Vinci Code, have created an inaccurate view of the Templars' historical significance. Nicholson's research on (a) the Templars and their estates, (b) her collaborations with museum and heritage organizations, and (c) her advice on Templar properties, has challenged misconceptions about the Templars and informed professional practice in presenting heritage sites, benefiting individuals, authors, archaeologists and museum practitioners. Her research has equipped non-academic audiences with a clearer understanding of the Templars, generating new interpretations and cultural artefacts by diverse groups worldwide.
Heinrich Böll (1917-1985) was one of post-war Germany's leading writers and public intellectuals. The Edition of Böll's complete works, prepared by a seven-strong international research team which included Finlay, has had significant impact across a number of areas, including commercial publishing (spin-off publications, marketing opportunities); digital humanities (software and platform development for large-scale critical editions, significantly changing working practices); culture and heritage (in particular in the city of Cologne); the media and the public sphere (public debate on the writer's legacy and the Heinrich-Böll foundation's cultural programme in 30 countries).
Rock researches the comprehensibility and effect on readers and hearers of police language. She has deployed this research in a long-term collaboration with South Wales Police (SWP) and their associated agencies, such as trainers and interpreters. Rock has used her research findings to offer tailor-made solutions to a range of specific problems that SWP have identified in their communications with the public. So as to build capacity rather than creating long-term dependency, she places strong emphasis on acquainting the in-house staff sufficiently with her research to enable them to understand the potential options available, and to contribute to developing the best outcomes. Her interventions focus on written and spoken communications with the public relating to complaints, victim care, interviewing and interpreting. Outcomes have been major revisions to texts and permanent modifications to individual and organisational practices.
Staff in the Centre for Intermedia at the University of Exeter research methods of documenting, archiving, and replaying multi-media art, heritage, and performance. Their work demonstrates how ideas and practices of performance, particularly sharing and replay of audience experience, can broaden and enhance public encounters with museums. Developed in collaboration with international artists, technologists, and major cultural organisations, the main impacts of this research have been to:
The impact of Cruise's work has been to extend and enrich the understanding, appreciation and value of aspects of British art from a university art historical research environment to Fine Art auctioneering houses, picture dealers, museum curators, and the general public. His greatest impact has been on cultural life and on museum and gallery culture. Cruise has investigated the art of the Victorian period and re-evaluated it through widely disseminated outputs, reviving interest in the life and work of Simeon Solomon and in drawing as a practice. Addressing issues of sexuality, religion, race, and patronage he has re-enhanced the relevance of Victorian works of art for various constituencies. In his Pre-Raphaelite drawing project [3.12, 3.13] he drew attention to a significant but largely overlooked feature; as a reviewer observed: "How could the role that drawing played for the Pre-Raphaelites have been [hitherto] so overlooked?" (Country Life, 16th March 2011).
The tales of the Mabinogion are one of the highlights of Welsh literature. Grounded in Celtic mythology, Arthurian romance and a view of the past as seen through the eyes of medieval Wales, they are replete in meanings, imaginative constructs, linguistic richness and insights into the relationship between the human condition and the supernatural realm. Davies' translation and research into the performative aspects of these tales has become the stimulus for a range of innovative acts of presentation, telling and reception in English language creative writing, heritage management and tourism, and contemporary storytelling.
Research by University of Exeter academics has increased the public's participation in, and appreciation of, the history and pre-history of cinema. Much of this has been achieved by collaborative projects with the Bill Douglas Cinema Museum, a free-entry museum located on the Exeter campus, which has a large collection (65,000 items) of international stature. A number of funded digitisation projects to improve accessibility have presented as well as preserved cultural heritage. The main impacts of this research have been to:
The Gothic Ivories Project is an online research resource which aims to provide detailed information and high-quality images of all Gothic ivories. This database has been constructed in a collaborative venture with over 260 museums and collections in 19 countries to date. It is accessible at www.gothicivories.courtauld.ac.uk. Despite being work in progress, the site already attracts over 2,000 users per month. It has transformed the possibilities and practicalities of ivories research. The principal beneficiaries are scholars, students, museum staff, the art market and the wider public.